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Eduardo de Jesus comments on “Parallel”, by Jiwon Choi, in the new Videobrasil Commented Collection

The curator and professor of Social Communication at UFMG Eduardo de Jesus comments, in the new episode of the Videobrasil Collection, the work Parallel, by the South Korean Jiwon Choi, work that was presented in the 20th edition...
Still from 1978 - Submerged City, by Caetano Dias. Courtesy Videobrasil.

“1978 – Cidade Submersa”, in the new episode of the Videobrasil Commentary Collection

The video 1978 – Cidade Submersa, by Caetano Dias, shows the relationship of a fisherman with the memories of his old city. It is a documentary that sometimes mixes fiction and reality to...
Still from Amerika - Bahia de las setas. Photo: Disclosure.

Watch “Amérika – Bahia de las setas”, by Ana Vaz, in the new Commented Collection...

With an ethnographic and decolonizing visual exploration, artist Ana Vaz looks for different ways to explore history; in the new episode of Videobrasil, the curator and historian Sabrina Moura comments on her work "Amérika - Bahia de las setas"
Still from "Tomo" by Bakary Diallo. Courtesy Videobrasil

Videobrasil Commented Collection: Bakary Diallo

The work of the late Malian artist is the subject of the new episode of the Videobrasil Commentary Collection; in "Tomo", Bakary Diallo performs a ritual to honor the countrymen he lost to the war started in 2012 in his country
"DAS AVÓS", 2019, video installation by Rosana Paulino. Photo: Videobrasil.

Videobrasil Commented Collection: Rosana Paulino

Professor Alice Lino comments on the work "Das grandmothers" and points out how the artist reconstitutes the affection directed towards black women by subverting an image of violence and assuring these women respect for the struggle waged until our times.

Videobrasil Commented Collection: Moacir dos Anjos and Vincent Carelli

In this episode, the work "O Espírito da TV", by Vincent Carelli, is commented by the curator and researcher Moacir dos Anjos; the documentary was made by the Vídeo nas Aldeias project and shows the reactions of the Waiãpi indigenous group when they saw their own image on TV, still in 1973