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Work present in the exhibition "Quarto Ato - O quilombismo", at the Inhotim Institute. Photo: Ícaro Moreno

Inhotim inaugurates the last act in honor of Abdias Nascimento and installation by Luana Vitra

Based on dialogues initiated between the Inhotim Institute and Ipeafro in November 2020, the exhibition program entitled Abdias Nascimento and the Museu de...
Act Three: Spell | Abdias Nascimento

The orishas are alive

With more than 180 works and documents, Inhotim inaugurates the third act around the exhibitions of Abdias Nascimento.
Abdias Nascimento, Raízes n.º 1, exhibited in Inhotim

Inhotim reinforces its public character

After going through difficulties, new reformulations establish the institute as one of the most important contemporary art complexes in Brazil.
black art

Breaking the complicity between the aesthetic and the colonial device: Afro-Brazilian art, black art...

Márcio Seligmann-Silva analyzes narratives about the history of Afro-descendant Brazilian art, which involves a series of traumatic repetitions over time
Abdias Nascimento, "Okê Oxóssi" (1970). MASP Disclosure.

MASP opens three new exhibitions in February

Abdias Nascimento, Letícia Parente and Volpi have exhibitions opened at the São Paulo museum at the end of this month
Abdias Nascimento, "Eternidade", 1972. Collection Museum of Black Art - IPEAFRO.

In conjunction with IPEAFRO, Inhotim brings the Black Art Museum to the public

Project conceived by Abdias Nascimento will be carried out for two years inside the Minas Gerais museum; his initial exhibition delves into the relationship between the artist and Tunga