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SP-Arte starts this week at a new address
In a hybrid model, with a Viewing Room and a face-to-face event at the ARCA shed, in Vila Leopoldina, after several editions at Parque Ibirapuera, the fair brings together 128 exhibitors
Arjan Martins has a trajectory portrayed in a book
Launch of Editora Cobogó, a publication organized by Paulo Miyada presents an overview of the painter's career from Rio de Janeiro
MASP receives works by 19 Afro artists
In 2018, the Museu de Arte de São Paulo (MASP) dedicated its entire program to Afro-Atlantic histories. The strategy, which is to develop a...
Unmissable series: reading indications
Originally published in CULTURA!Brasileiros, the series Imperdíveis features relevant literature titles. Remember the series Imperdíveis Sul Verônica Stigger, Publisher 34,91 pages A short story, a short theatrical play...
Goethe Institute holds “Echoes of the South Atlantic Conference” in Salvador
The Goethe Institute in Brazil is preparing to hold, from April 23 to 25, in Salvador, Bahia, the Ecos do Atlântico Sul Conference
The 11th Mercosul Biennial is courageous in its critical approach
Works by artists from various countries reflect on slavery and the purposeful invisibility suffered by African and indigenous cultures in Brazil
Practices to make room for other stories
A critical overview of the thinking of Bonaventure Soh Bejeng Ndikung, curator of the 36th São Paulo Biennial, based on his work at the Casa das Culturas do Mundo, a German institution he has directed since 2023
Cross pollinations
“The role of the artist is to ask questions,” says Bonaventure Ndikung, in an interview in which he talks about the project for the 36th São Paulo Biennial
At the Museu Paranaense, Luana Vitra exhibits the metallic and poetic metaphysics that she extracts from...
In her critical text for the exhibition Aos espíritos minerals, by Luana Vitra, at the Museu Paranaense, singer Anelis Assunção recalls that, "growing up on...
At Galeria Estação, “Reversos e Transversos” seeks to dissolve the dichotomy between popular and erudite art
Curated by Ayrson Heráclito, the exhibition establishes parallels between popular artists segregated by the art system and established names, with whom they maintain approximations, in different biennials, over seven decades
