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Inhotim inaugurates the last act in honor of Abdias Nascimento and installation by Luana Vitra
Based on dialogues initiated between the Inhotim Institute and Ipeafro in November 2020, the...
The orishas are alive
With more than 180 works and documents, Inhotim inaugurates the third act around the exhibitions of Abdias Nascimento.
Inhotim: check out new openings at the Minas Gerais museum
Isaac Julien, Jaime Lauriano, Arjan Martins, Laura Belém, Abdias Nascimento and the Museum of Black Art are on the Inhotim program, which opens on May 28
MASP opens three new exhibitions in February
Abdias Nascimento, Letícia Parente and Volpi have exhibitions opened at the São Paulo museum at the end of this month
In conjunction with IPEAFRO, Inhotim brings the Black Art Museum to the public
Project conceived by Abdias Nascimento will be carried out for two years inside the Minas Gerais museum; his initial exhibition delves into the relationship between the artist and Tunga
Director of the Afro Brasil Museum, Hélio Menezes defends 'dealing with racism without reenacting it'
A frequenter and researcher at the Afro Brasil Museum for around 12 years, curator, cultural manager and doctoral student in Anthropology Hélio Menezes, 37, took on...
Swimming with a stroke
Released discreetly in the first half of this year (although printed in 2023), the book Negros na pool. Contemporary art, curation and education (Ed. Fósforo)...
Integration is the motto of Inhotim’s programming in 2024
A resumption of monographic projects, solo exhibitions dedicated to specific works by some artists, as well as unique, immersive works that promote compelling experiences. AND...
12 art books to read in 2023
Among biographies of important international figures, books by important Brazilian artists and theories that question the hegemonic perspectives on culture, many...
“Brazilian Stories” reveals 'colonial system' in the arts circuit
"Masp presents an exhibition that criticizes the lack of representation in the history of art, but its own centers of power are white and patriarchal; the institution still exhibits works by its president, ignoring the existence of a conflict of interests", writes Cypriano
