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Group exhibition takes contemporary art to the Museum of Sacred Art
Exhibition "Esperança" brings together recent works by 12 artists and discusses the concerns of our time, from the pain caused by the pandemic to the very feeling of being alive and the possibility of having hope.
For Gerardo Mosquera, it is necessary to free oneself from a reductionist Latin American identity
Despite recognizing the importance of the concept of "Latin American art", Cuban critic and curator affirms that it is necessary to free oneself from a totalizing "neurosis" that prevailed on the continent and to value plurality, diversity and contradictions.
Rossini Perez's collection is the focus of a new online exhibition at the Lasar Segall Museum
The first solo show by Rossini Perez to look at the entirety of his collection is presented in virtual galleries where the public can discover the different facets of the artist, with emphasis on collage and photography, in addition to engraving.
The Grace of Faith
Among us, an extensive cultural, ideological, legislative, religious and media apparatus was created to justify, serve and guarantee the permanence of privileges of that portion...
The [non] market of inclusion: ableism in the world of the arts
Artists reflect on the dilemmas of including people with disabilities (PWD) in the art world and talk about ableism and accessibility
The power of empathy
Images made by Madalena Schwartz of the 1970s São Paulo trans scene reveal the photographer's complicity with people in front of her camera
Biden-Harris wins, what's the reaction from the art world?
Works by Barbara Kruger, Zoe Leonard and Lorraine O'Grady are brought to the debate raised with the election of Joe Biden and Kamala Harris in the United States, check below some reactions from artists and curators to the political event
Photography and modernity in the cloudy mirror of literature. Brazil, XNUMXth century XIX
Based on the work of important authors of the period, Tadeu Chiarelli highlights references to photography in the novels and how they reflect the contradictions of a country in which slavery and explicit signs of modernity coexisted.
To Nelson or the Perils of Interpretive Fury
Six months after Nelson Leirner's death, critic Tadeu Chiarelli discusses one of the artist's main works and his unavoidable presence in the country's art scene




![The [non] market of inclusion: ableism in the world of the arts Horizontal photo, black and white. In the midst of the choreography, João Paulo Lima has both hands and the only knee on the floor, keeping his back aligned, on a plank over his knee. He's in profile. He uses a costume that refers to the practices of bondage and sadomasochism, with most of the skin exposed, semi-nude. This photo is a still of the show DEVOTEES, presented in the program Zona de Criação, from the Cultural Hub of Ceará PORTO DRAGÃO.](https://artebrasileiros.com.br/wp-content/uploads/2021/03/Devotees-4-Reproducao-150x150.png)








