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View of the DESVAIRAR 22 exhibition

“Desvairar 22” invites the public to an exercise in historical imagination

On view at Sesc Pinheiros until January 2023, the exhibition brings together an Egyptian sarcophagus, a carnival float, works of visual art, texts, music, videos and historical documents to rethink important events of 1922
The Rio de Janeiro painter Arjan Martins, in his studio in Rio de Janeiro. Photo: Pepe Schettino

Arjan Martins: “Black collecting is almost a utopian intention of target audience for me”

The recent (and growing) success of black artists in Brazil and around the world has led painter Arjan Martins, 62, to reflect. For...
rosana paulino

Ancestry, territory and science

These are some of the elements that permeate the works of Rosana Paulino, an artist who is about to celebrate 30 years of her career and is one of the guests at the 59th Venice Biennale.
Luiz Zerbini, "A Primeira Missa", 2014. Photo: Pat Kilgore.

Reappropriating to repair: the centenary of the Week of 22 from a decolonial perspective

Exhibitions, books and debates shed light on the triggering point of the Brazilian historical avant-garde from issues that did not exist for artists of the time, such as issues of race, ethnicity and gender. 
Abdias Nascimento, Raízes n.º 1, exhibited in Inhotim

Inhotim reinforces its public character

After going through difficulties, new reformulations establish the institute as one of the most important contemporary art complexes in Brazil.

MAR presents a solo show by Jarbas Lopes and the exhibition “Black Encyclopedia”

The Rio Art Museum hosts two simultaneous exhibitions, on display until September. In Gira, Lopes, whose career in art began 30 years ago...
Cildo Meireles, 'Desvio para o Vermelho', 1967-1984, Inhotim

Inhotim: institute receives donation of more than 300 works of art

Pieces that were part of Bernardo Paz's collection now belong to the Minas Gerais institute; also check out the new institutional formation of Inhotim
black art

Breaking the complicity between the aesthetic and the colonial device: Afro-Brazilian art, black art...

Márcio Seligmann-Silva analyzes narratives about the history of Afro-descendant Brazilian art, which involves a series of traumatic repetitions over time
Ark

SP-Arte starts this week at a new address

In a hybrid model, with a Viewing Room and a face-to-face event at the ARCA shed, in Vila Leopoldina, after several editions at Parque Ibirapuera, the fair brings together 128 exhibitors
"Americas" (2016), Arjan Martins. Photo: A Gentil Carioca.

Arjan Martins has a trajectory portrayed in a book

Launch of Editora Cobogó, a publication organized by Paulo Miyada presents an overview of the painter's career from Rio de Janeiro