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No one can with me: between the wound and the healing
“Nobody can come with me” – a title that borrows the name of a plant that simultaneously protects and poisons – is the...
The critic's wall
"On this wall are some of the works I keep in my home. I donated others to MAR, the Rio Art Museum." The...
Analysis and proposals for the debate on a decolonial culture
Between March 20th and 21st, artists, educators, curators and managers discussed ideas and practices outside – or not outside – official institutions, at the VIII International Seminar Arte!Brasileiros - Counter-hegemonic Narratives, in Vitória (ES)
Vitoria Seminar
Contemporary Debates VIII International Seminar Arte!Brasileiros: Counter-hegemonic narratives Vitória, Espírito Santo – 20 and 21/3, 2025 The new Contemporary Debates cycle brings to Vitória (ES) the VIII...
In Russia, Videobrasil explores intersections between video and performance
Despite the thousands of kilometers separating Brazil and Russia and the cultural traits that are so distinct between the countries, there is no need for any type of...
Sertão Negro Studio and School of Arts: a project for the future in the center of Brazil
Artistic-cultural space in the capital of Goiás proposes dialogues between visual arts, backlands and the cerrado based on traditional knowledge of Afro-Brazilian and African origins
Swimming with a stroke
Released discreetly in the first half of this year (although printed in 2023), the book Negros na pool. Contemporary art, curation and education (Ed. Fósforo)...
Museu Paranaense, in Curitiba, consolidates itself as a reference for museum management
attentive to urgent current issues, such as rescue and the right to memory, repair and restitution, the Paranaense Museum (MUPA) started...
Textile as self-expression, struggle and care
By Adélia Borges Embroidery, crochet, knitting and all sorts of textile work were for a long time segregated, in social and artistic canons, to a femininity...









