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Fundação Getulio Vargas launches the XNUMXst Academic Seminar on Economics of the Art Market
In 2016, Paulo Tenani, who has been a professor at the Fundação Getúlio Vargas School of Economics for 20 years, created a study group...
León Ferrari wins 'anthological show' at the Museo Nacional de Bellas Artes in Buenos Aires
The Museo Nacional de Bellas Artes in Buenos Aires opens this Tuesday (16) the exhibition Recurrencias, with about 250 works by the artist...
Bienal das Amazônias wants to shed new light on the symbolic production of the various territories...
For more than two decades, the Pará cultural producer Lívia Condurú has cherished the desire to create an Amazon Biennial, which will finally have its...
The 35th Bienal wants to explore new expressions of themes such as decoloniality, gender and race, among...
The 35th São Paulo Biennial – Choreography of the Impossible, which opens on 6/9, released its curatorial project in September last year,...
practical arts
The paintings, drawings and photographs of Lia D Castro are the synthesis of a decolonial process in which she equates, with her portrayed, sex, readings, conversations and reflections on transphobia and racism
Youth Art Show (MAJ) reaches its 30th edition with a record number...
Created in 1989, in Ribeirão Preto, the Youth Art Show (MAJ) reaches its 30th edition and makes its first tour in...
From today (January 26) to Sunday, Sesc Pompeia will host 'O Bailado do Deus Morto',...
From Thursday (26/1) until Sunday, Teatro Sesc Pompeia will host O Bailado do Deus Morto, with Teatro Oficina. Directed by Marcelo Drummond,...
No, it's not photojournalism
From the publication of the photo of President Luiz Inácio Lula da Silva, doctor, journalist and photography critic Simonetta Persichetti weaves a reflection on the image, photojournalism and its policies
With two spaces in Rio, the new Nonada gallery wants to give visibility to artists who...
In Copacabana and Penha, Nonada - dedicated to artists outside the circuit - receives the production of 32 names from different Brazilian cities
Marina Rheingantz: “Abstracting would almost be like opening a window to another place”
In the exhibition "Sedimentar", on display at Galpão Fortes D'Aloia & Gabriel, the painter from São Paulo consolidates an inflection that has been moving her away from the representation of landscapes in recent years, a distance also from the "difficult situation in the country"
