WORLD

Grand Palace Ephemeral

Art Basel shakes Paris

Hans Op de Beeck, We were the last to stay, 2022. The artist made an installation, an abandoned ghost village, a petrified setting, of steel, wood, paint and silence, along one of the sheds of the old Fagor Mill. A contemporary Pompeii that brings the chill of a space devastated by a bomb, lava from a volcano or a tsunami. Photo: Patricia Rousseaux

Our vulnerability on the agenda

Xul Solar, Grafia antica, 1939. Modernism in Hispanic America

Modernism in Hispanic America

The Bamiyan Buddhas in Afghanistan were destroyed by the Taliban 20 years ago. Photo: Reproduction The Art Newspaper

Taliban in power: Cultural heritages in danger

Monster Chetwynd, "Hokusai's Octapai", 2004, installation at the Tanya Leighton gallery, as part of Galleries Curate

Galleries Curate: new way to create market

Art

Nobody can mess with me: Brazil at the Venice Biennale

Art

Lázaro Roberto: "Photography gave me racial awareness"

Art

Paulista Avenue hosts the largest and most ambitious exhibition of Mestre Didi.

Art

The private is political: a militant art in the Verbund collection.

Art

Vassouras Museum opens in dialogue with the territory.

Art

Grada Kilomba works with horrors that we don't...

Art

Casa Brasil opens with decolonial and feminist works.

Art

Urban challenge for downtown São Paulo

Art

Is there anything better than this? Only two of these.