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Digital Edition #64

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The performing, sculptural and monumental ship of Grada Kilomba

In its resumption of monographic projects, the Inhotim Institute invited the Portuguese artist Grada Kilomba to occupy Galeria Galpão, where...

Eleonore Koch stages the painting

I discovered Eleonore Koch's work at the beginning of this century and, in the 2010s, the opportunity arose to organize an exhibition about her...

National Museum receives donation of more than a thousand fossils intermediated by the Inclusartiz Institute

The National Museum of Rio de Janeiro has just received an addition to its collection, almost six years after the fire that destroyed the...

In Inhotim, Paulo Nazareth brings together history and territory at a 'crossroads of many times'

On display at Inhotim, the solo show Esconjuro, by Paulo Nazareth, could not be more in line with the institute's programming proposal for 2024...

BACON AND MÁRIO DE ANDRADE AT MASP: A WEIRD ENCOUNTER | Part two

PART TWO Because of the Mário de Andrade exhibition. Two Lives was conceived based on the works collected by the critic, when I went down to...

Culture Wars grow on social media

Why attacks on cultural institutions and works of art are used as instruments of the right, based on algorithms that value hate speech

What can a work of culture, art or criticism do?

A question for Tales Ab'Sáber* João Cezar de Castro Rocha – In his documentary Intervention, Love doesn't mean much, he anticipated much of the horrors...

BACON AND MÁRIO DE ANDRADE AT MASP: A WEIRD ENCOUNTER

PART ONE A few days ago I visited two exhibitions at MASP: “Francis Bacon: the beauty of meat”, curated by Laura Consedey, and “Mário de Andrade....

Exhibitions

An artist shaped by migrations, affective memories and self-knowledge

Portraits with expressive eyes are a hallmark of Rafael Pereira's production, who until the 20th (Saturday) presents his first solo exhibition at...

Bienal das Amazônias wants to shed new light on the symbolic production of the various territories in the region

For more than two decades, the Pará cultural producer Lívia Condurú has cherished the desire to create an Amazon Biennial, which will finally have its...

Have you attended our last seminar?


Culture, Democracy and Reparation
A arte!brasileiros and Sesc SP promoted an international seminar to debate the subject. On this page, you can check out the recorded versions of the lectures, in-depth interviews with important figures in the cultural and artistic scene, and texts that unfold reflections on art and democracy

Have you attended our last seminar?


Culture, Democracy and Reparation
A arte!brasileiros and Sesc SP promoted an international seminar to debate the subject. On this page, you can check out the recorded versions of the lectures, in-depth interviews with important figures in the cultural and artistic scene, and texts that unfold reflections on art and democracy

Access our recorded courses

Reporting