She is a writer, curator and filmmaker. Her work is based on biography and storytelling as a form of research and production. Renée is currently concerned with looking at and talking about images and the ways they are produced, but especially how they have come to play a critical role as evidence of white paranoia and as aesthetic expressions of racial violence. Faced with this, Renée seeks to better understand the ways in which such images are used to reinforce the institutionalized narrative of the racialized body as a constant danger to the law. Among her most recent projects are Sweet Like Honey (Northern Corner Gallery, Musanze, 2022) and A Glossary of Words My Mother Never Taught Me (Cell Project Space, London, 2021). Renée works between Kigali and Nairobi and is a collaborative editor for the Wali Chafu Collective.
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