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Home VII Seminar on Culture, Democracy and Reparation

VII Seminar on Culture, Democracy and Reparation

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    What does art have to do with democracy and reparation?

    Hélio Campos Mello, Parque de la Memoria - Monument to the Victims of State Terrorism, Buenos Aires, Argentina

    trauma and repair

    EXHIBITION | The Intercultural Geometry exhibition, in c EXHIBITION | The exhibition "Intercultural Geometry," on display at the Luciana Brito Gallery in São Paulo, brings together works that synthesize the research of Guatemalan artist Antonio Pichillá. Developed over more than two decades, his research is structured around the notion of "intercultural geometry," that is, a field of thought in which tradition, ancestral memory, and abstract language intertwine as forms of knowledge, identity, and belonging. The critical text is written by the Chilean curator and researcher Alexia Tala. SERVICE 📍Luciana Brito Gallery: Avenida Nove de Julho, 5162, São Paulo, SP 📆On display until May 2nd ⏰Visiting hours: Monday, 10 am to 18 pm; Tuesday to Friday, 10 am to 19 pm; Saturday, 11 am to 17 pm
    EXHIBITION | Curated by Carmela Gross, the exhibition EXHIBITION | Curated by Carmela Gross, the exhibition "Iberê Camargo: Who Knows, Time..." brings together 1.091 studies and drawings by Iberê Camargo (1914–1994), representing the largest exhibition of the artist's work ever held. The collection presented spans different moments in the artist's career, including works produced during his adolescence, when Iberê was only 13 years old. SERVICE 📍Iberê Foundation: Av. Padre Cacique, 2000, Porto Alegre RS 📆 On display until March 28, 2027 ⏰ Visiting hours: Thursday to Sunday, from 14 pm to 18 pm (last entry) 🎟 Free admission on Thursdays. On other days, reservations are required through the Sympla platform and tickets cost between R$10,00 and R$30,00
    EXHIBITION | In "Maps in flames", Lucas Dilacerda r EXHIBITION | In "Maps in Flames," Lucas Dilacerda brings together nearly 40 artists from the new art scene in Goiás, based on the idea that all territory is a fiction, that is, a historical, political, and colonial invention. The exhibition, which opens on April 21st, follows the recent production of the state in which territory becomes a living body and a field of dispute. SERVICE 📍FAV Gallery – UFG: Av. Esperança s/n, Samambaia Campus (Campus II), Goiânia – GO 🥂Opening: April 21, 2026, 18 PM to 21 PM ⏰Visitation: until May 22, 2026 Works: 1- William Maia 2- Verônica Santana 3- Sophia Pinheiro 4- Dalton Paula 5- Rebeca Miguel
    EXHIBITION | In the exhibition "The Decorator's House: The Future EXHIBITION | In the exhibition "The Decorator's House: The Future Is No Longer Here," Marco A. Castillo revisits Cuban modernism from its various developments. The project observes a period in which architecture and design sought to assert their own identity, before their replacement by imported models and their eventual erasure. At Casa Domschke, by Vilanova Artigas, the exhibition brings together distinct contexts. Materials, forms, and historical references reappear as part of an investigation into memory, language, and politics. SERVICE 📍Casa Domschke — Rua Comendador Elias Zarzur, 2030, São Paulo Curated by: Livia Debbane 📆On display until April 28, 2026 ⏰Visiting hours: Tuesday to Friday, 11 am to 17 pm | Saturdays, 11 am to 15 pm
    MUSIC | Between tradition and reinvention, shames (שמש) MUSIC | Between tradition and reinvention, shames (שמש) brings together the Coral Tradição choir, active at Casa do Povo since 1988, with artists from different fields to reinterpret the Yiddish repertoire. The album explores historical songs in two directions: on one hand, arrangements close to the original formation; on the other, reinterpretations that shift form and listening experience. The project also includes a booklet of scores with unpublished translations, essays, and commentaries, conceived both as a record and as an instrument of continuity. The album is curated by Caio Lescher and Júlia Morelli and musically produced by João Barisbe. SERVICE 📍Casa do Povo — Rua Três Rios, 252, Bom Retiro, São Paulo Album listening session + distribution of a booklet of scores 📆April 22nd, 20 PM (listening session at 20:30 PM) 🎟Free admission, no tickets required
    INTERVIEW | The 61st Venice Biennale opens INTERVIEW | The 61st Venice Biennale opens to the public on May 9th. The Brazilian Pavilion will feature works by Rosana Paulino and Adriana Varejão, in a dialogue proposed by curator Diane Lima. Entitled "comigo ninguém pode" (no one can mess with me), the project stems from the syncretic and ambiguous characteristics of the homonymous plant, which has become a symbol of protection and resilience due to its toxicity. The exhibition brings together new works and previous pieces by the artists, organized around a dialogue that encompasses different temporalities, scales, and languages. In conversation with... arte!brasileirosDiane, Rosana, and Adriana talk about this process. 📌Read the interview on the website artebrasileiros.com.br (link in bio) By Luiza Lorenzetti (@luiza.lorenzetti) Cover photo: Group portrait of Rosana Paulino, curator Diane Lima, and Adriana Varejão, from left to right. Igor Furtado / Fundação Bienal de São Paulo
    EXHIBITION | In "nocturne without rhyme or reason", Iole de EXHIBITION | In "nocturne without head or tail," Iole de Freitas presents a new set of sculptures and works from the Mantos series, which takes as its reference the interval between dusk and sunrise. The exhibition proposes a journey in which light, color, and matter transform before the eye. With more than five decades of experience, the artist develops research that displaces industrial materials into a sensitive field. In the show, steel responds to the incidence of light and the presence of the body, producing continuous variations in perception within the exhibition space. SERVICE 📍Raquel Arnaud Gallery — Rua Fidalga, 125, Vila Madalena, São Paulo 📆On display until May 30, 2026 ⏰Visiting hours: Monday to Friday, 11 am to 19 pm; Saturdays, 11 am to 15 pm 🎟Free admission
    EXHIBITION | Featuring over 70 artists, Atlântico Ser EXHIBITION | Featuring over 70 artists, Atlântico Sertão occupies the CCBB São Paulo with an expanded reading of the Sertão (the Brazilian backlands), understood as a symbolic and political field. The curators are Ariana Nuala, Marcelo Campos, Amanda Rezende, Jean Carlos Azuos, Rita Vênus, and Thayná Trindade. Structured around six sections, the exhibition brings together practices that address memory, territory, and rights, mostly from perspectives originating in the North and Northeast regions of Brazil, Afro-descendant and Indigenous communities. Among the participants are artists Antonio Obá, Ayrson Heráclito, Aline Motta, Dalton Paula, Denilson Baniwa, Jaime Lauriano, Lidia Lisboa, Maria Macedo, Nádia Taquary, Rafael Bqueer, Rosana Paulino, Tunga, Ziel Karapotó, and many others. SERVICE 📍CCBB São Paulo — Rua Álvares Penteado, 112, Centro 📆On display from April 15 to August 3, 2026 ⏰Visiting hours: Wednesday to Monday, from 9 am to 20 pm 🎟Free admission Works: 1-[Untitled], from the series Travessia do Retorno, 2022 | Márvila Araújo 2-Pedra Latente#03, 2023 | Rodrigo Braga 3-Atlântico Vermelho, 2017 | Rosana Paulino 4-Sons velados, 2017 | Dalton Paula 5-Moara Tupinambá, 2021 | Sikié 6-E se o apedrejado fosse você? # 3, 2021 | Jaime Lauriano
    EXHIBITION | During the dictatorship in Chile, the Collective EXHIBITION | During the dictatorship in Chile, the Colectivo Acciones de Arte (CADA) took artistic practice outside of institutions and into the city. Founded in Santiago in 1979, the group was formed by artists Lotty Rosenfeld (1943–2020) and Juan Castillo (1952–2025), writer Diamela Eltit (1949), poet Raúl Zurita (1950), and sociologist Fernando Balcells (1950), with changes in its composition over time. The exhibition at MASP brings together records of the collective's experiences, including the NO+ action, in which the open phrase was appropriated by the population, and ¡Ay Sudamérica!, which distributed pamphlets about Santiago. By bringing these materials together, the exhibition allows us to follow how CADA challenged the boundaries between art, politics, and public life during a period of strong repression in Latin America. SERVICE 📍MASP — São Paulo Museum of Art: Av. Paulista, 1578 — Bela Vista, São Paulo 📆On display until August 2, 2026 ⏰Visiting hours: Tuesday (free), from 10 am to 20 pm; Wednesday and Thursday, from 10 am to 18 pm; Friday, from 10 am to 21 pm (free from 18 pm to 20:30 pm); Saturday and Sunday, from 10 am to 18 pm. 🎟Tickets: R$ 85 (full price) | R$ 42 (half price) Booking: masp.org.br/ingressos
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