Transformed into an institute, the workshop of the late painter Francisco Brennand heads towards the future and balances between the founder's tradition and growth beyond his self-mythologized figure.
A pioneer in the distribution of women's films in France and a filmmaker for over four decades, Ostrovsky talks about her look at cinema, her friendship with artist Ione Saldanha and her recent curatorship work for the Scratch Collection.
In the midst of an extremely troubled context with the pandemic, professionals in the Brazilian art market report a year of positive sales results, benefiting from both the expansion of the virtual and the recent resumption of the face-to-face.
Established in Paris since the 1980s, Julio Villani debuts website and opens solo exhibition at Chelsea in New York
On the eve of the celebrations of the 100th anniversary of the Week of Modern Art, it is important to reflect on the figure of the Italian-Brazilian sculptor Victor Brecheret (1894-1955),...
In nine works, the exhibition at Sesc Pompeia presents a set of works by the Chilean artist Alfredo Jaar, his questions about photography and his interest in the politics of images
According to the director of Mamam, despite the dismantling, the Recife museum is getting stronger...
In interview with arte!brasileiros, Mabel Medeiros talks about acting during the pandemic, the focus on research, education, dialogue with society and financial difficulties, a result of the "attacks on all civilizing pillars" coming from the federal government
Mateus Nunes writes to arte!brasileiros on "Image Policies: Surveillance and Resistance", new book by Giselle Beiguelman
Works by Peter van Agtmael, Steve McQueen and Emily Jacir reflect on conflict and keep us from forgetting its cruel consequences
About five years after the fire that hit its headquarters, at Estação da Luz, the institution reopens in 2021 with updates to its contents, but keeping as a basis the same curatorial project that made it recognized