Black Backlands

Sertão Negro Studio and School of Arts: a project for the future in...

Artistic-cultural space in the capital of Goiás proposes dialogues between visual arts, backlands and the cerrado based on traditional knowledge of Afro-Brazilian and African origins
Ismael Nery, Decomposed Figure, 1927

Curatorial inconsistencies at the Venice Biennale

by Maykson Cardoso Berlin-based art researcher PhD candidate in Visual Arts at the School of Fine Arts at UFRJ Fabio Cypriano is one of the last bastions...

Tarsila do Amaral Special

On September 1, 2024, the artist would have turned 138 years old. In celebration, we have compiled a series of articles to delve deeper into the trajectory of the modernist
Adriano Pedrosa, curator of the 60th Venice Biennale. Photo: Mauricio Jorge

The 60th Venice Biennale and other stories

Adriano Pedrosa, curator of the Italian exhibition, talks about how he emerged into art
Drinking from the fountain

Drinking from the fountain

Read the editorial of issue #65 of arte!brasileiros, by Patricia Rousseaux

Quilombola Nego Bispo questioned canons of modernity

"Humanism is a companion word to the word development, whose idea is to treat human beings as beings who want to be creators, not creatures...
Ana Mendieta

Sesc Pompeia presents films and photographs by artist Ana Mendieta

"Ana Mendieta: Silhueta em Fogo", on display at Sesc Pompeia, is an unprecedented exhibition in Latin America of films and photographs by the Cuban-American artist. Simultaneously,...

Retrospectives

Read the editorial of issue #64 of arte!brasileiros, by Patricia Rousseaux

The great choir of black, indigenous and LGBTQIAPN+ voices

With 121 artists and participants, the majority of whom are non-white, Choreographies of the Impossible addresses the ruins of modernity to affirmative action by collectives

At Galeria Estação, “Reversos e Transversos” seeks to dissolve the dichotomy between art...

Curated by Ayrson Heráclito, the exhibition establishes parallels between popular artists segregated by the art system and established names, with whom they maintain approximations, in different biennials, over seven decades