Manuel Querino. Because Salvador is not Florence
In the April 1917 issue of Revista do Brasil, Monteiro Lobato began a review of the book Artists Baianos, authored by the man who even...
Petit maître
Art critic and professor Tadeu Chiarelli lists reasons to read the recently released autobiography of sculptor and painter Raphael Galvez
On the President's good looks
Research pointed out that 27% of Bolsonaro voters would vote for him for his personal image; Tadeu Chiarelli writes on the subject
the obscene of the image
Not all photography is restorative as intended, for example, the Berlin Biennale, when exhibiting a work with records of prisoners tortured in Abu Ghraib, Iraq
culture war
Returning to the concept of culture war, art critic Fabio Cypriano writes about the polemics of documenta fifteen
Reappropriate to Repair: The Centenary of the Week of 22 under the...
Exhibitions, books and debates shed light on the triggering point of the Brazilian historical avant-garde from issues that did not exist for artists of the time, such as issues of race, ethnicity and gender.
Anthropophagy versus modernism
In the contrast between the two movements, it is important to recover the debate around the visual arts and the memory of Oswaldo Costa, an important critic of culture and art in the second half of the 20s, in São Paulo
Tatiana Blass: on the threshold of matter and emptiness
Art critic and curator Tadeu Chiarelli writes about Tatiana Blass's new exhibition, "Reviravolta", on display at Galeria Millan
The cry of the forests, the eloquence of images
Collective exhibition TURI presents works by 24 photographers who, at different times, recorded the destruction of the Brazilian ecosystem, especially the fires
Walter Firmo: An apology for the image
The Moreira Salles Institute of São Paulo presents the exhibition "In the verb of Silence the Síntese do Grito" by the carioca photographer Walter Firmo
