The critic and curator Tadeu Chiarelli analyses, based on the work "Don't enter the left", by Maurício Nogueira Lima, the representation of the city of São Paulo made in photographs and paintings at different times of the XNUMXth century
With an exhibition curated by Aracy Amaral and a collection with a public vocation, Fábrica de Arte Marcos Amaro has everything it takes to become a powerhouse of art and knowledge
For the curator and critic Tadeu Chiarelli, despite being well-intentioned, "Bacurau" is pretentious and dated when trying to synthesize in a single piece the complexity of the country of recent decades.
With the exception of Manoel Querino (1851-1923), intellectuals who wrote about the visual arts during the First Republic started from the following assumption: in Brazil...
What would Walter Benjamin say if he reappeared here? How would you react to art and its reproducibility after, above all, the internet and smartphones?