Too bad Oswald wasn't born in Rio, right?
Interesting how, once again, the Brazilian belletrist tradition puts the visual arts and its circuit to one side, when it comes to reflecting on...
Tatiana Blass: on the threshold of matter and emptiness
Art critic and curator Tadeu Chiarelli writes about Tatiana Blass's new exhibition, "Reviravolta", on display at Galeria Millan
The pantheon of São Paulo's immortals: tropical delirium in the Patio...
In the context of the debate on controversial monuments in public squares, the article by Tadeu Chiarelli presents Adolfo A. Pinto's extravagant idea of building a Civic Center in downtown São Paulo to honor the old and “new” pioneers.
Segall and Picasso; allegory and decisive moment; painting and photography
In view of the discussions on modernism and the 1922 Modern Art Week, an issue that remains outside the debate is...
The aura, the reproducibility and the vintage
What would Walter Benjamin say if he reappeared here? How would you react to art and its reproducibility after, above all, the internet and smartphones?
Despite the confusing montage, “À Nordeste” points to urgent issues
With the will to stay in that labyrinthine space, the public will find good reasons to visit the exhibition
On the President's good looks
Research pointed out that 27% of Bolsonaro voters would vote for him for his personal image; Tadeu Chiarelli writes on the subject
Manuel Querino. Because Salvador is not Florence
In the April 1917 issue of Revista do Brasil, Monteiro Lobato began a review of the book Artists Baianos, authored by the man who even...
In the process of being established, FAMA causes fascination and is a gift...
With an exhibition curated by Aracy Amaral and a collection with a public vocation, Fábrica de Arte Marcos Amaro has everything it takes to become a powerhouse of art and knowledge
