Photo studio as resistance

BY LEONOR AMARANTE Photographer Luiza Segulem doesn't limit herself to recording bodies in motion: she challenges the logic of the gaze in a set of...
Conceptual team 36th São Paulo Biennial

36th Biennial: humanity as practice

The contours of the 36th São Paulo Biennial, which opens its doors to the public on 6th...

Court grants 6 months stay for Container Theater...

A finalist for the State Governor's Award in 2018, the Mungunzá Container Theater suddenly went from being honored by the government to...
Container Theater

After a police raid, artists occupy the Container Theater to prevent...

After a violent invasion on the afternoon of Tuesday, the 19th, by the Metropolitan Civil Guard (GCM), a police force subordinate to the City of São Paulo, artists, producers, technicians,...

The language of Brazilians

The exhibition "Fala Falar Falares," on display at the Museum of the Portuguese Language until September 14, 09, helps us understand the dimension of the act of speaking. In addition...

The far right tries to push through the Rouanet Law, but intellectuals...

A project reported by Congressman Alexandre Ramagem seizes almost 3 billion in resources from the Rouanet Law, invading the cultural sector's powers.

Music improves mathematics, theater refines text interpretation

This Wednesday, the 25th, in Brasília, for 10 hours, in an immersive journey with the participation of a hundred people – experts and representatives...
The Devourer: Zé Celso, life and art

Book about Zé Celso whets our appetite for life

Interviews, historical testimonies and unpublished essays make up an editorial feast about José Celso Martinez Corrêa — Zé Celso, founder of Teatro Oficina. Launched...

Excavations reveal remains of the first public cemetery in Latin America

By Caroline Vieira In 1835, in the region known as Campo da Pólvora in Salvador, Bahia, four Africans convicted of participating in the Revolt of the...
The Body of the Line: Notations on Drawing, by Edith Derdyk

A brief write-up on the drawing

By Tatiana Eskenazi* I came by the difficult path, the line that never ends, the line hits the stone, the word breaks a corner, tiny empty line, the line, a whole life, word,...