Horizontal photo, black and white. In the midst of the choreography, João Paulo Lima has both hands and the only knee on the floor, keeping his back aligned, on a plank over his knee. He's in profile. He uses a costume that refers to the practices of bondage and sadomasochism, with most of the skin exposed, semi-nude. This photo is a still of the show DEVOTEES, presented in the program Zona de Criação, from the Cultural Hub of Ceará PORTO DRAGÃO.

The [non] market of inclusion: ableism in the world of the arts

Artists reflect on the dilemmas of including people with disabilities (PWD) in the art world and talk about ableism and accessibility
AI and art Ai-Da Robot

Will robots be the artists of the future?

Art made by Artificial Intelligence generates reflections on the nature of creativity, the importance of experience in creation and the ethical barriers of technological development

A good year, at least for the art market

After the initial shock due to the pandemic, Brazilian galleries recover and present a positive result in the year they were forced to migrate to the virtual environment
A member of the Piscina platform, Juh Almeida exhibited the work A woman speaks at SP-Foto VR

Politicizing the art market: how new proposals have brought...

*By Ana Letícia Fialho and Luciara Ribeiro The result of the last elections, both in Brazil and in the USA, was marked by presences that somehow...
Artist Cyshimi thinks about decoloniality in Asian-Brazilian art

Beyond the stereotype: Brazilian art by Asian-Brazilians

In recent years, the debate on prejudice and the inclusion of minorities has come to occupy a growing space in the arts circuit. However, still little...
Quarantine art market

The wheel that keeps turning, now on the internet

Traditional art fairs such as Basel and Frieze, in addition to unprecedented ones such as Not Cancelled, drive sales by Brazilian galleries through virtual means and raise discussions about the exhaustion of a model based on incessant displacements across the globe.
Gustavo Nobrega

Don't burn after reading

Courier art enthusiast Gustavo Nóbrega, director of Galeria Superfície, wants to foster interest in pieces from the movement in collecting

The greatest performance in Brazilian history

In the second round of elections, people left home to vote with a book in hand

Bispo do Rosário Museum guarantees its existence

Located in Jacarepaguá in the west of Rio de Janeiro, the Arthur Bispo do Rosário Contemporary Art Museum, formerly named Nise da Silveira, today...

Art, photography and politics

Exhibition in Buenos Aires addresses the relevance of photography for Guevara in Bolivia, the photos produced there and what Bolivian generals did with them