Music improves mathematics, theater refines text interpretation
This Wednesday, the 25th, in Brasília, for 10 hours, in an immersive journey with the participation of a hundred people – experts and representatives...
Book about Zé Celso whets our appetite for life
Interviews, historical testimonies and unpublished essays make up an editorial feast about José Celso Martinez Corrêa — Zé Celso, founder of Teatro Oficina. Launched...
André Toral's Mexico
In “Travel Report”, an exhibition that opens this Saturday, June 14, at Graphias, André Toral brings together a diverse set of works produced...
Excavations reveal remains of the first public cemetery in Latin America
By Caroline Vieira In 1835, in the region known as Campo da Pólvora in Salvador, Bahia, four Africans convicted of participating in the Revolt of the...
A brief write-up on the drawing
By Tatiana Eskenazi* I came by the difficult path, the line that never ends, the line hits the stone, the word breaks a corner, tiny empty line, the line, a whole life, word,...
Decolonizing, an everyday act
Read the editorial of the special edition Vitória - ES of arte!brasileiros, by Patricia Rousseaux
Contributors to the special edition Vitória – ES
Luiza Lorenzetti is a journalist and specialist in Media, Information and Culture from CELACC-USP. She was the communications coordinator for FETESP - Student Theater Festival of...
Territory, space and belonging
The artist and photographer from Espírito Santo, Ana Luzes, presented the exhibition of the project Genesis: Creation at the Homero Massena Gallery, in Vitória/ES, from October 2024 to April 2025, curated by Nataly Volcati
'I learned from my father to read things as if they were alive'
Son of Waly Salomão, the curatorial director of the Casa do Governador Cultural Park, in Vitória (ES), Omar Salomão, spoke with Arte!Brasileiros about their projects, mainly that of strengthening the institution as 'a place for coexistence with art, for stimulus, for encounter and social catalyst'
Intrusion
Free Wi-Fi installation, set up in the library of the Espírito Santo Art Museum (MAES), exposes the omnipresence of systems that overlap the dimensions of the public and the private, of the individual and the collective
