The Memory of Last Things and After
The efforts, shown in the book Tsunami, Photographs and Then, to preserve memory through photography after the Sendai Earthquake
Anita Malfatti and the salon of the Palacete do Conde Lara
A researcher has discovered the exact place where one of the artist's first exhibitions was held, in 1917
Guy Brett: an extraordinary “ordinary” life
About a month after the death of the British critic and curator Guy Brett, Chilean curator Alexia Tala writes about the personality and thought of one of the most important figures for the diffusion of Latin American art, especially Brazilian art, in European lands.
Between real and metaphorical fires
The work “Open Night”, by Thiago Rocha Pitta, opens the Interventions Program at MAM Rio and honors the National Museum on the two-year anniversary of the fire that devastated Rio’s space
Paris: restoration and culture of memory
At a time of relative respite from the pandemic that has been plaguing us for almost two years, Paris took the opportunity to present some of its novelties with contemporary jewelry.
International boycott of the Bienal de São Paulo
As a reaction to the repression of the dictatorship, several countries abandoned the exhibition after the AI-5
The abandonment of Valongo
On the pier built in 1811, in Rio, to receive thousands of enslaved people, and where important archaeological records were found, the strategy of dismantling policies to combat racism and inequality reigns.
history lab
In contrast to archaic visions of our past, the new Ipiranga Museum celebrates material culture, with a project that includes tactile resources and massive use of audiovisual By Maria HirSzman
Dandara: between legend and resistance
The construction of a black heroine and art as a counternarrative
