Anita Malfatti and the salon of the Palacete do Conde Lara
A researcher has discovered the exact place where one of the artist's first exhibitions was held, in 1917
The cangaço yesterday and today
Book "Bled memories: life and death in the times of the cangaço", by Ricardo Beliel, brings together photos and testimonies recorded by the journalist over the years touring the northeastern hinterland
Recently launched, Projeto Lorenzato has already cataloged around 300 works by...
Last month, the Amadeo Luciano Lorenzato Project was launched, which seeks to identify and catalog the works of the artist from Minas Gerais on a digital, continuous and...
history lab
In contrast to archaic visions of our past, the new Ipiranga Museum celebrates material culture, with a project that includes tactile resources and massive use of audiovisual By Maria HirSzman
Between real and metaphorical fires
The work “Open Night”, by Thiago Rocha Pitta, opens the Interventions Program at MAM Rio and honors the National Museum on the two-year anniversary of the fire that devastated Rio’s space
Life and work of Vladimir Herzog are honored
After two years of research and organization, a virtual platform created by the Vladimir Herzog Institute with the support of Itaú Cultural brings together more than a thousand items from Vlado's personal and professional life to celebrate the journalist
It didn't finish
*By Paulo Miyada. The exhibition "AI-5 50 Years - It's not over yet" ended on the 4th of November, one week after the end...
Without the gaze of Sebastião Salgado
We have lost a special, refined and educated eye that for 50 years saw the world. Documentary photographer Sebastião...
Guy Brett: an extraordinary “ordinary” life
About a month after the death of the British critic and curator Guy Brett, Chilean curator Alexia Tala writes about the personality and thought of one of the most important figures for the diffusion of Latin American art, especially Brazilian art, in European lands.
The Memory of Last Things and After
The efforts, shown in the book Tsunami, Photographs and Then, to preserve memory through photography after the Sendai Earthquake
