An off-system collection
Collection initiated by founder of the Max Mara brand displays a personal vision of contemporary production, without concessions to the art circuit
Discreet windows: photography that reveals and provokes
Photographer Hélio Campos Mello became a reference not only for his photojournalism, nor for having been a war correspondent, or for having directed several...
Why talk about mangroves?
Between land and sea, the mangrove swamp is a place of transition. From Oiapoque, in Amapá, to Laguna, in Santa Catarina, the mangrove swamps...
Photo studio as resistance
BY LEONOR AMARANTE Photographer Luiza Segulem doesn't limit herself to recording bodies in motion: she challenges the logic of the gaze in a set of...
Dialogues between territory and time
Curated by Nicolas Soares, artist and director of the Espírito Santo Art Museum (MAES) and architect and researcher Clara Pignaton, the Vale Museum opens, under the general coordination of Claudia Afonso, the exhibition Transitar o Tempo, as part of its “Extramuros Program”
Pivô opens a group exhibition that reflects on the division between nature...
“A natural history of ruins” reacts to the idea of nature as a resource and features works by Denilson Baniwa, Louidgi Beltrame, David Bestué and Minia Biabiany, among others.
2013 | 30 years of Videobrasil
Remember the text about the 18th edition of the Videobrasil Festival, held in 2013, when the event led by Solange Farkas celebrated 3 decades
2011 | Alexandre da Cunha: the ironic and the playful
Remember the text about the exhibition "Fair Trade", which was on display at Galeria Luisa Strina in 2011
Art history revisited
Museum of Modern Art of Buenos Aires – Mamba brings Latin American artists closer to European and North American production with already consolidated visibility
Exhibition at MAC-USP explores the diversity of José Antônio da...'s work.
More than one hundred paintings by the artist are on display at the Museum of Contemporary Art of USP. The exhibition is titled José Antônio da Silva: Painting the...
