Espírito Santo reinforces its culture
While the absence of national public policies causes destruction of the sector, states, as well as Ceará, expand equipment and give new vitality to the area.
Nobody can mess with me: Brazil at the Venice Biennale
The 61st Venice Biennale opens to the public on May 9th. The Brazilian Pavilion will feature works by Rosana...
“Indigenous culture does not fit into patrimonialist thinking”
Men am-ním is the approximate translation, in the language of the Krenak people, for the Portuguese word “Occupation” – in fact, the indigenous word is used...
Lívia Condurú: a Brazilian Amazon
The first Amazon Biennial transformed the cultural scene of Belém, in Pará, between August and November 2023, on the banks of the Guamá River....
“This is not the time to romanticize anything,” says Jochen Volz of the...
For the director of the Pinacoteca, despite the fact that art resists the worst moments, the current context with the coronavirus pandemic is worrying; Volz also talks about the museum's digital performance, criticizes the federal government and says that culture can be a source of inspiration at this time of crisis
Vilma Eid, one of the great patrons of Brazilian popular art
Whenever Vilma's Eid birthday approached, her mother used to present her daughter with a work of art, whether it was a painting or...
São Paulo Jewish Museum seeks to intertwine with the city...
For nearly 80 years, Templo Beth-El, in downtown São Paulo, has served the city's Jewish community. Designed in Byzantine style by...
IPHAN will rescue technical performance
Leandro Grass took over the Institute in January and is promoting the dismissal of all paratroopers placed in the body by the former government
Novo Paço das Artes: “It was a mix of struggle and resistance”
Priscila Arantes, director and curator, talks about the four years in search of a space for the institution, which will have a new headquarters inaugurated in January 2020. She also comments on the new projects of Paço and the struggle of women at the head of cultural institutions
“The debate tries to make noise, provoke dissonance and distinction”
Author of the books An African woman in the Louvre and The art of black worlds: History, theory, criticism, recently released in Brazil by Bazar do Tempo, French historian Anne Lafont was...














