Dona Romana

Mil Graus focuses on the creative power of the streets

Panorama of the Museum of Modern Art of SP, held for the first time at MAC-USP, addresses practices that diverge from hegemonic standards

The dizzying amorous party

Two exhibitions in São Paulo presented an overview of the work of assumed vivid astro focus (avaf), founded by Eli Sudbrack in 2001
It's dark but I sing

“Bienal of Hope” romanticizes catastrophes

"It's dark but I sing", at Ibirapuera Park, brings together significant and aestheticizing groups of Brazilian artists, but leaves transgressive activities to the past
Vania Toledo, Madame Satan, 1980

Much more than “happy, clean, well-dressed”

Fullgás, an exhibition with more than 260 artists and collectives at CCBB-SP, revisits the so-called Generation 80 with contextualization, inclusion and diversity
"Two Weights, Two Measures"

2016 | 32nd Bienal de São Paulo: “Bienal is an escape from...

Remember the text by the critic Fabio Cypriano about the 2016 edition, which according to him followed the tradition of the São Paulo event of dealing with the present time above all else
View of part of the exhibition that is on display at SESC 24 de Maio.

a curatorship

The historian and art critic Aracy Amaral writes about the exhibition "À Nordeste", on view at Sesc 24 de Maio, criticizing what she calls a "labyrinthine montage" made by the curators

“Vaivém” deals with Brazilian culture beyond art

Exhibition curated by Raphael Fonseca addresses the hammock from multiple perspectives at CCBB

The critic's wall

"On this wall are some of the works I keep in my home. I donated others to MAR, the Rio Art Museum." The...
Works from the series Sonhíferas, by Solange Pessoa

Venice Biennale: Dream in the midst of war

59th edition of the oldest art biennial, this time by Italian Cecilia Alemani, makes the inclusion of women artists its main asset