The critic's wall
"On this wall are some of the works I keep in my home. I donated others to MAR, the Rio Art Museum." The...
Critique Frestas: political poetics
Frestas - Arts Triennale, at Sesc de Sorocaba, addresses the dramas of the contemporary world in a lyrical way
2016 | 32nd Bienal de São Paulo: “Bienal is an escape from...
Remember the text by the critic Fabio Cypriano about the 2016 edition, which according to him followed the tradition of the São Paulo event of dealing with the present time above all else
Exuberant visuals in a critical tone
Fabio Cypriano writes a review of the exhibition “Raio-que o parte: fictions of the modern in Brazil”, at Sesc 24 de Maio
“Vaivém” deals with Brazilian culture beyond art
Exhibition curated by Raphael Fonseca addresses the hammock from multiple perspectives at CCBB
Aníbal López, a stranger in the nest
It is difficult to measure the influence of Aníbal López on contemporary Guatemalan art. López proposes interferences and investigations placing the relations of politics and...
a curatorship
The historian and art critic Aracy Amaral writes about the exhibition "À Nordeste", on view at Sesc 24 de Maio, criticizing what she calls a "labyrinthine montage" made by the curators
Berlin maps wounds of the world
Lean Biennial with 40 artists, "Ainda Presente", with artistic direction by Kader Attia, prioritizes works with a denunciation character
“Bienal of Hope” romanticizes catastrophes
"It's dark but I sing", at Ibirapuera Park, brings together significant and aestheticizing groups of Brazilian artists, but leaves transgressive activities to the past
Carlos Motta points out the roots of prejudice and racism in the 21st century
Colombian artist based in New York presents in Vermelho traces of the inquisition and slavery as keys to understanding the current moment
