Aníbal López, a stranger in the nest
It is difficult to measure the influence of Aníbal López on contemporary Guatemalan art. López proposes interferences and investigations placing the relations of politics and...
a curatorship
The historian and art critic Aracy Amaral writes about the exhibition "À Nordeste", on view at Sesc 24 de Maio, criticizing what she calls a "labyrinthine montage" made by the curators
“Brazilian Stories” reveals 'colonial system' in the arts circuit
"Masp presents an exhibition that criticizes the lack of representation in the history of art, but its own centers of power are white and patriarchal; the institution still exhibits works by its president, ignoring the existence of a conflict of interests", writes Cypriano
Curatorial inconsistencies at the Venice Biennale
by Maykson Cardoso Berlin-based art researcher PhD candidate in Visual Arts at the School of Fine Arts at UFRJ Fabio Cypriano is one of the last bastions...
The dizzying amorous party
Two exhibitions in São Paulo presented an overview of the work of assumed vivid astro focus (avaf), founded by Eli Sudbrack in 2001
Kassel becomes a barn of exchanges
documenta fifteen, with more than 1.500 artists occupying 39 spaces in the German city, prioritizes solidarity and coexistence as practices in the field of art.
Critique Frestas: political poetics
Frestas - Arts Triennale, at Sesc de Sorocaba, addresses the dramas of the contemporary world in a lyrical way
“Vaivém” deals with Brazilian culture beyond art
Exhibition curated by Raphael Fonseca addresses the hammock from multiple perspectives at CCBB
Venice Biennale: Dream in the midst of war
59th edition of the oldest art biennial, this time by Italian Cecilia Alemani, makes the inclusion of women artists its main asset
Exuberant visuals in a critical tone
Fabio Cypriano writes a review of the exhibition “Raio-que o parte: fictions of the modern in Brazil”, at Sesc 24 de Maio
