“Brazilian Stories” reveals 'colonial system' in the arts circuit
"Masp presents an exhibition that criticizes the lack of representation in the history of art, but its own centers of power are white and patriarchal; the institution still exhibits works by its president, ignoring the existence of a conflict of interests", writes Cypriano
Venice Biennale: Dream in the midst of war
59th edition of the oldest art biennial, this time by Italian Cecilia Alemani, makes the inclusion of women artists its main asset
Kassel becomes a barn of exchanges
documenta fifteen, with more than 1.500 artists occupying 39 spaces in the German city, prioritizes solidarity and coexistence as practices in the field of art.
Berlin maps wounds of the world
Lean Biennial with 40 artists, "Ainda Presente", with artistic direction by Kader Attia, prioritizes works with a denunciation character
“Vaivém” deals with Brazilian culture beyond art
Exhibition curated by Raphael Fonseca addresses the hammock from multiple perspectives at CCBB
a curatorship
The historian and art critic Aracy Amaral writes about the exhibition "À Nordeste", on view at Sesc 24 de Maio, criticizing what she calls a "labyrinthine montage" made by the curators
Rivane Neuenschwander uses Machado de Assis' filter to see Brazil...
Fabio Cypriano writes about the exhibition on display at the Fortes D'Aloia & Gabriel gallery until May 18
IMS attests to the affection and defense of the Yanomami
Claudia Andujar's second exhibition at the institution brings her commitment to the indigenous cause in exemplary research
