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The vertigo of the popular in the work of Luiz Braga, by Henry Burnett
Catastrophe, tragedy and disaster as clinical and aesthetic categories
Epic art in the secret heart of Brazil
The Crazy White Man's Samba
A critic
Bitu Cassundé, Clarissa Diniz and Marcelo Campos write a response to the criticism by Aracy Amaral, published in ARTE!Brasileiros 47
Speculative attack or the gambiarra versus the Brazilian rough
Researcher and professor at UFMG Sabrina Sedlmayer echoes text by psychoanalyst Christian Dunker
Essay on the “Brazilian Crude” in Philosophy and the Arts
It is possible that ten or fifteen years from now, art historians will characterize this period, between 2016 and 2022, as the heyday of the "Brazilian Tosco"
Geography in the work of Nicole Franchy
Alexia Tala writes about the criticism in the work of the Peruvian artist who was at Solo da SP-Arte
contemporary riddles
By Alexia Tala, curator and art critic Contemporary art has presented itself as a fertile space to dismantle the ways in which art...
50 years of MASP on Avenida Paulista
*By Fábio Magalhães This November, the MASP building, designed by Lina Bo Bardi, turned 50 years old. Today it is an icon of the city...
Sidney Amaral: Between affirmation and immolation
Tadeu Chiarelli writes about the artist Sidney Amaral, who died in 2017, with an emphasis on his self-portraits
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