The boycott of Grada Kilomba in the official Portuguese representation of the Bienal...
By Ana Teixeira Pinto* On November 11, 2021, DGARTES (Direção Geral das Artes) announced the result of the competition for the...
Silk and iron: delicacy and strength at Verve Galeria
Latest exhibitions by the São Paulo gallery, solo exhibitions by Fran Chang and Gustavo Rezende, show the breadth of possible poetics in their curatorial discourse
Digging the hollow of meaning or what does being-so mean?
In the context of the 36th Panorama of Brazilian Art, which takes place from August onwards, we invited Professor Durval Muniz de Albuquerque Júnior to write about the senses and meanings of the sertão
A critic
Bitu Cassundé, Clarissa Diniz and Marcelo Campos write a response to the criticism by Aracy Amaral, published in ARTE!Brasileiros 47
Speculative attack or the gambiarra versus the Brazilian rough
Researcher and professor at UFMG Sabrina Sedlmayer echoes text by psychoanalyst Christian Dunker
Essay on the “Brazilian Crude” in Philosophy and the Arts
It is possible that ten or fifteen years from now, art historians will characterize this period, between 2016 and 2022, as the heyday of the "Brazilian Tosco"
Geography in the work of Nicole Franchy
Alexia Tala writes about the criticism in the work of the Peruvian artist who was at Solo da SP-Arte
50 years of MASP on Avenida Paulista
*By Fábio Magalhães This November, the MASP building, designed by Lina Bo Bardi, turned 50 years old. Today it is an icon of the city...
Sidney Amaral: Between affirmation and immolation
Tadeu Chiarelli writes about the artist Sidney Amaral, who died in 2017, with an emphasis on his self-portraits
