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  • AGENDA
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Home Brands Posts by Fabio Cypriano

Fabio Cypriano

Fabio Cypriano
132 Posts 0 comments
Rooting - Art critic and journalist, he is the coordinating author of the Journalism course at PUC-SP.
Cultural Management

environment of resistance

Criticism

“Brazilian Stories” reveals 'colonial system' in the arts circuit

Work by Elvys Chaves and Carlo Schiavini exhibited at the Casa do Governador Cultural Park, in Espírito Santo
Interview

Espírito Santo reinforces its culture

At Hallenbad Ost, works by Taring Padi, a collective that had one of its panels, exhibited at Friederichplatz, taken from documenta fifteen after criticism - explained in the text. Photo: Patricia Rousseaux
Biennials

culture war

Works from the series Sonhíferas, by Solange Pessoa
Biennials

Venice Biennale: Dream in the midst of war

Gudskul, Sekolah Temujalar, pedagogical installation with audio, cameras, drawings and games exhibited at Fridericianum, at documenta fifteen, in Kassel
Biennials

Kassel becomes a barn of exchanges

Antonio Recalcati, Enrico Baj, Erró, Gianni Giancarlo Dova, Jean-Jacques Lebel, Roberto Crippa, "Grand tableau antifasciste collectif", 1960. Exhibited at the Berlin Biennale
Biennials

Berlin maps wounds of the world

Biennials

Shows that complement each other

In front, "Museu do Homem do Nordeste", by Jonathas de Andrade, in the background works by Candido Portinari, Almeida Junior and Paulo Nazareth. Photo: Levi Fanan / Collection of the Pinacoteca do Estado de São Paulo
Article

Is art without class struggle just decoration?

Untitled, José Antonio da Silva, at the Raio-que-o-parta exhibition
Criticism

Exuberant visuals in a critical tone

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COLLECTING | With 350 works on display at MAM Rio, COLLECTING | With 350 works on display at MAM Rio, the exhibition "Gilberto Chateaubriand: a sensory collection" honors the collector who passed away three years ago, leaving 6.400 pieces on loan to the museum. The exhibition's title is a quote from Gilberto himself: "I am a sensory being. A Dionysian, let's say. The work of art is so impressive that it motivates a mental and physical excitement as well," he said in a recorded conversation with his son Carlos Alberto Chateaubriand and curator Luiz Camillo Osorio in 2014. Curated by Pablo Lafuente and Raquel Barreto, the exhibition remains on display until February 1, 2026. 📌Read the full text by Fabio Cypriano (@cypriano) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros) #mamrio #collecting #exhibition #whattodoinrio
LAST DAYS | Until January 24th, the Martin gallery LAST DAYS | Until January 24th, the Martins&Montero gallery in São Paulo presents "Negative Desire". Curated by Jota Mombaça, the exhibition brings together works by Hudinilson Jr., Bruna Kury, and Tetê. The show uses queer theory to investigate reproducibility as a normative principle and to reflect on artistic practices that operate refusal as a critical method. By articulating body, language, copy, and dissent, the collective proposes the interruption of hegemonic forms of existence and points to the possibility of imagining other ways of life. SERVICE 📍Martins&Montero: Rua Jamaica 50, Jardim América, São Paulo (SP) 📆On display until January 24, 2026 ⏰Visiting hours: Tuesday to Friday, 10 am to 19 pm; Saturdays, 11 am to 16 pm
EXHIBITION | Until January 25th, the Museum of the Portuguese Language EXHIBITION | Until January 25th, the Museum of the Portuguese Language is holding another edition of the Holiday Season, with a free program focused on urban cultures. Workshops on rhyme, graffiti, and urban dances, as well as traditional games, occupy the Museum space and engage with the exhibition "FUNK: A cry of audacity and freedom". The activities are led by artist-educators and propose an approach to the connection between language, body, territory, and contemporary cultural practices. In addition to the special holiday program, the public can visit the Museum's main exhibition and the exhibition dedicated to funk. SERVICE 📍Museum of the Portuguese Language: Praça da Luz, s/n – Luz – São Paulo Holiday Station – Museum of the Portuguese Language 📆Until January 25th ⏰Tuesday to Sunday, from 10 am to 17 pm 🎟Free admission Main exhibition and FUNK: A cry of audacity and freedom 📆Tuesday to Sunday, from 9 am to 16:30 pm (stay until 18 pm) 🎟Tickets: R$ 24 (full price) | R$ 12 (half price) Free on Saturdays and Sundays Cover artwork: Bruno Lyfe
COURSES | Between January and February, MASP presents COURSES | Between January and February, MASP presents eight new open courses through the MASP School. The program includes in-person and online classes with introductory and experimental courses in drawing, painting, and performance. The schedule also includes online training on portraiture, introduction to curating, and a course dedicated to the relationship between art and mental health. All courses offer scholarships and discounts for teachers of early childhood, elementary, middle, and high school education in the public school system, subject to a selection process after registration, in addition to a 15% discount in the AMIGO MASP program. At the end of all courses, certificates are issued to students who complete 80% attendance. To register and learn more, visit: masp.org.br/masp-escola
EXHIBITION | At 92 years old, Anna Bella Geiger presents EXHIBITION | At 92 years old, Anna Bella Geiger presents a new work in Rio de Janeiro. Commissioned by the Projeto Maravilha (Marvelous Project), the sculpture "Typus Terra Incognita" occupies the Bosque das Artes (Arts Grove) in the Parque Bondinho Pão de Açúcar® (Sugarloaf Cable Car Park). The intervention marks the second edition of the Projeto Maravilha and inaugurates its integration into the Maravilha – Ícones na Paisagem (Marvelous – Icons in the Landscape) program, focused on the installation of permanent works in public spaces in the city. Simultaneously, the Espaço Maria Ercília (Maria Ercília Space) presents the exhibition "Anna Bella Geiger: a body in space," which brings together works in different languages ​​and reinforces the role of the body as a critical instrument in her trajectory. SERVICE 📍Bosque das Artes – Parque Bondinho Pão de Açúcar®: Address: Av. Pasteur, 520 – Urca, Rio de Janeiro 📆Opening: January 14, 2026 🎟Tickets: parquebondinho.com.br
STORIES FROM THE CRITICISM | Tadeu Chiarelli has a chapter STORIES OF CRITICISM | Tadeu Chiarelli possesses a rare ability to reconcile historical research with direct contact with contemporary artistic production, coupled with intense activity in the exhibition and academic circuit. A precise illustration of this broad, pendulum-like movement is the author's publication of two seemingly distinct books, less than a month apart, at the end of last year. In an interview for @artebrasileiros, Tadeu Chiarelli discusses the publications 'Appropriations' and 'Brazilian Art', analyzes the dialogue between past and present in art, and the role of the art critic and historian. 📌Read the full text by Maria Hirszman (@mariahir) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros).
TRIBUTE | We regret the passing of the artist co TRIBUTE | We regret the passing of Colombian artist Beatriz González, which occurred last Friday, January 9th, at the age of 93. Currently on display at the Pinacoteca de São Paulo, the exhibition "Beatriz González: The Image in Transit" brings together more than one hundred works and now presents itself as an opportunity for the public to get to know up close the breadth and versatility of a fundamental trajectory in Latin American art. Fabio Cypriano (cypriano) wrote about the exhibition for issue #72 of @artebrasileiros. The text is available to arte✱plus contributors, who have access to our four digital magazines per year. 📌Visit the website artebrasileiros.com.br. Happy reading! Photo 1: Galerie Peter Kilchmann Photos 2 and 3: Levi Fanan Photo 4: Fabio Cypriano
PHOTOGRAPH | European institutions identify the PHOTOGRAPHY | European institutions are identifying the need to change protocols for the maintenance, exhibition, storage, and preservation of historical or artistic photographs as cases of deterioration due to global warming increase. We spoke with Anita Bools, Senior National Curator of Paper and Photography at the National Trust in the United Kingdom, who follows with particular interest the issues of the effects of climate change on photographic collections. The National Trust participated in two panels at COP30, the Climate Conference, in Belém: Culture at the Heart of Climate Policy and Action - A Collective Effort (Mutirão) and Cultural Power for Climate Action: Storytelling, Heritage & the Creative Industries. 📌Read the full text by Jotabê Medeiros (@jotabemedeiros) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros). Image 1: Self-portrait by photographer Edward Hardman (cellulose nitrate negative) Image 2: Modern color prints drying after being washed again following the flood at Avebury Manor. Photo by Anna Barnes
REVIEW | The 36th São Paulo Biennial comes to an end REVIEW | The 36th São Paulo Biennial comes to an end this weekend. For four months, visitors to the exhibition had access to a wide selection of poetics, places, and authors from afar. The full text by Maria Hirszman (@mariahir) is part of issue #72 of @artebrasileiros, and is exclusive to arte✱plus contributors, who have access to our four digital magazines per year. Support one of the most recognized contemporary art and culture platforms in Brazil. 📌Visit the website artebrasileiros.com.br. The direct link is in the bio. Enjoy your reading! Photos 1 and 4: Levi Fanan / Photo 2: Daniel Yazbek / Photos 3: Coil Lopes
Brazilian art
Following the solid editorial line of the magazines Brasileiros, CULTURA!Brasileiros and ARTE!Brasileiros, the portal ARTE!Brasileiros privileges, in a digital environment, analyses, opinions, reports, articles and beautiful images, maintaining, as always, the care with the reader, with a special space dedicated to videos. You will have access to interviews with experts in contemporary art, behavior, education, literature, philosophy, psychoanalysis, politics and technology.  

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