
Issue #75 contributorsBy Writing
Partners
See who are some of the contributors to issue #74 of arte!brasileiros

A tribute to KoyoBy Patricia Rousseaux
Editorial
Read the editorial of issue #75 of arte!brasileiros, by Patricia Rousseaux

The Venice 2026 jury shows that it is necessary to set limits.By Fabio Cypriano
16th Venice Biennale
Refusing to award prizes to countries with leaders accused of crimes against humanity by the International Criminal Court is a necessary example.

When less is moreBy Fabio Cypriano, in Venice
16th Venice Biennale
In minor keys, the exhibition, curated by Koyo Kouoh, the first African woman to oversee the Venice Biennale, features 110 artists in a show that draws on magical realism as a reference point.
at the Prada Foundation, Arthur Jafa and Richard Prince in "Helter Skelter"By Fabio Cypriano
16th Venice Biennale
In a Biennale marked by the strength of the main exhibition, national pavilions lose momentum, while parallel exhibitions in Venice broaden debates on race, coloniality, appropriation of images, and disputes over memory.

Imagine a voice you've never heard before.By Hélio Menezes
16th Venice Biennale
This text was produced for the catalog of the 61st Venice Biennale at the request of its curator, Koyo Kouoh, who passed away on May 10, 2025.

Thresholds, a place of coexistenceBy Leonor Amarante and Luiza Lorenzetti
16th Curitiba International Biennial
The 16th Curitiba International Biennial investigates territories where borders are zones of openness.

"Surrealisms": an exhibition beyond the obvious. By Luiza Lorenzetti and Patricia Rousseaux
Exhibition
The new São Paulo location of the Pinakotheke Gallery presents one of the most important retrospectives on Surrealism. Luiza Lorenzetti and Patricia Rousseaux interview curator Tadeu Chiarelli.

Latin America at the center of narratives in five exhibitions at MASP.By Lara Arruda Paiva
Latin American exhibition at MASP
The museum is exhibiting solo shows by Damián Ortega, Santiago Yahuarcani, La Chola Poblete, and Claudia Alarcón & Silät, as well as a retrospective of the CADA collective, to reflect on Latin American art.
