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EditorialBy Patricia Rousseaux
Editorial
Read the editorial of issue #72 of arte!brasileiros, by Patricia Rousseaux

A timely meetingBy Patricia Rousseaux
France-Brazil Season
Brazil and France celebrate 200 years of diplomatic relations with a cultural season that focuses on dialogue, diversity and resistance in times of obscurantism

Museum springs from the region's soilBy Leonor Amarante
New Museum
Between avenues, bricks and biomes, the Centre Pompidou Paraná combines the essence of the place with global projection

The Biennial whispers but not everyone hearsBy Maria Hirszman
Biennials
Between ancestry and reinvention, the 36th Biennial presents itself as an open flow, sometimes powerful, sometimes fragile, oscillating between the strength of encounters and the risk of dilution.
Lack of context confuses 36th São Paulo BiennialBy Fabio Cypriano
Biennials
With 125 artists, the country's most traditional exhibition withholds information about works and artists due to curatorial choices, making it difficult to understand.

2nd Amazon Biennial reverberates the forestBy Leonor Amarante
Biennials
In Belém, the climate of COP 30 invades the city, while artists from various countries subvert the logic of the art system.

When art says things that history cannotBy Fabio Cypriano
Exhibition
Pinacoteca presents The Image in Transit, with more than one hundred works by Colombian Beatriz González, which deal with the history of art and the deep connection with her country

Exhibition of African languages in Brazilian culture arrives in Vitória - ESBy Luiza Lorenzetti
Exhibition
Museu Vale, in partnership with the Museum of the Portuguese Language, brings to Espírito Santo the exhibition African Languages that Make Brazil, curated by musician and philosopher Tiganá Santana and with the unprecedented participation of artists from Espírito Santo.

Of the spiritual in artBy Fabio Cypriano
Artist
Thiago Martins de Melo's first major exhibition in his homeland, Maranhão, brings inspiration from religion

“Indigenous culture does not fit into patrimonialist thinking”By Jotabê Medeiros
Occupation
One of the country's most prominent intellectuals, Ailton Krenak, has an exhibition on Avenida Paulista and says that the new generation of indigenous artists has exploded the capsule of colonial caricatures.

The critic's wallBy Jotabê Medeiros
Occupation
Paulo Herkenhoff's occupation allows us to penetrate the intimacy of the personal collection of the super curator, a remarkable professional who revealed artists and movements and directed museums around the world.
