Issue #71 contributorsBy Writing

Partners

See who are some of the contributors to issue #71 of arte!brasileiros

EditorialBy Jamyle Rkain

Editorial

Read the editorial of issue #71 of arte!brasileiros, by Jamyle Rkain

Reports of a trip that defines me as “River Body”By Vânia Leal

Biennials

Vânia Leal, curator of the First Amazon Biennial, accompanied the itinerant exhibitions of this edition, which took the project to several cities in the Amazon region.

Pinacoteca: 120 years of art in motionBy Leonor Amarante

Institution

With its original classic profile, Pina is now also establishing itself as a contemporary museum

Spaceships and guerrillas: the tentacles of pop art in Brazil, another idea of popularBy Maria Hirszman

Exhibition
Exhibition presents a broad panorama of Brazilian art from the 1960s and 1970s

Steam and Concrete: Fluxes, by Laura Vinciby Tiago Mesquita

Exhibition

The exhibition Fluxos, by Laura Vinci, presented at the Brazilian Museum of Sculpture (MuBE), in São Paulo, curated by Agnaldo Farias, proposes a reading of her sculptural production that emphasizes, above all, the relationship between volumes and the passage of time.

Much more than “happy, clean, well-dressed”By Fabio Cypriano

Exhibition

Fullgás, an exhibition with more than 260 artists and collectives at CCBB-SP, revisits the so-called Generation 80 with contextualization, inclusion and diversity

Claudia Andujar Gallery Maxita Yano receives indigenous relativesBy Fabio Cypriano

Institution

At the Inhotim Institute, 22 artists from the ancestral peoples of South America contextualize and enhance their pavilion

Excavations reveal remains of the first public cemetery in Latin AmericaBy Caroline Vieira

Memory

Buried bodies of indigents and enslaved people are found through research in the Postgraduate Program in Architecture and Urbanism (UFBA) in a forgotten cemetery in Campo da Pólvora in Salvador

Flaminia ManifestoBy Jotabê Medeiros

Manifesto

Intellectuals from the North of the country saw far in 1927, when they proposed the Flami-n'-Assú, a big flame in Tupi, which eradicated all European influence in national art