Issue #68 contributorsThe newsroom
Partners
See who are some of the contributors to issue #68 of arte!brasileiros
New DriftsBy Patricia Rousseaux
Publishing
Read the editorial of issue #68 of arte!brasileiros, by Patricia Rousseaux
Migrant Art Gallery: When Museums Forgot to Be GardensBy Agustin Perez Rubio
Biennials
Boycott of the Triumphal Entry: Painting as a Transmitter of Coloniality
Sertão Negro Studio and School of Arts: a project for the future in the center of BrazilBy Luciara Ribeiro, Ceiça Ferreira and Vitoria Soares
Article
Sertão Negro Studio and School of Arts has principles based on the foundations of terreiros, suburbs and quilombos
Tijuana Triennial - Mexico evokes art as resistanceBy Leonor Amarante
Biennials
Artists from 14 countries, with gender equality, explore the diversity of contemporary production
Unlearn imperialism and repairBy Fabio Cypriano
Book
In 'Potential History', artist and academic Ariella Aïsha Azoulay proposes new ways of rethinking the colonialist mode based on concepts such as unlearning and repairing, opposing the notion of progress
Dandara: between legend and resistanceBy Vanicleia Silva Santos and Renata Felinto
Rehearsal
The construction of a black heroine and art as a counternarrative questions the absence of Afro-descendant heroines in traditional stories
Weaving another storyBy Maria Hirszman
Exhibitions
Simultaneous exhibitions investigate African knowledge and practices, comparing past and present and proposing new paths for research and contemporary art
By fire and swordBy Eduardo Simões
report
Entitled 'A Thousand Degrees', the 38th Panorama of Brazilian Art takes place at MAC USP and focuses on concepts such as intensity, heat and transmutation
Mil Graus focuses on the creative power of the streetsBy Fabio Cypriano
Review
Panorama of the Museum of Modern Art of SP, held for the first time at MAC USP, addresses practices that diverge from hegemonic standards
Memory policies: the genesis of the Museo del BarroBy Eduardo Simões
Seminar
Director of the institution, Lia Colombino spoke about the contexts that led to the founding of the museum; debaters sought analogies with the proposal for the Museum of Origins, by Mario Pedrosa
