Issue #64 contributorsThe newsroom
Partners
See who are some of the contributors to issue #64 of arte!brasileiros
RetrospectivesBy Patricia Rousseaux
Publishing
Read the editorial of issue #64 of arte!brasileiros, by Patricia Rousseaux
Seminars arte!brasileiros wins Antônio Bento Award from ABCABy Patricia Rousseaux
Award
Two certainties guide these meetings: creating bridges and believing that art focuses the knowledge of subjects of their time
Poetry in transit By Maria Hirszman
Biennials
With an emphasis on collective and transdisciplinary practices, the 35th Bienal de São Paulo calls into question the Eurocentric view of art
35th São Paulo Biennial: Castiel Vitorino BrasileiroBy Maria Hirszman
Biennials
Artist takes part in the persecution of Afro-Brazilian religions in the country to discuss the metamorphosis of the soul
35th São Paulo Biennial: Ana Pi By Maria Hirszman
Biennials
Visual artist from Minas Gerais signs installation with Taata Kwa Nkisi Mutá Imê in which she proposes a dialogue on displacement and between generations
35th São Paulo Biennial: Luana VitraBy Maria Hirszman
Biennials
Iron, copper and silver unfold in a myriad of meanings in the Minas Gerais artist's work, with references of a biographical, poetic, symbolic, historical and even metaphysical nature.
35th São Paulo Biennial: The dance of the possibleBy Claudinei Roberto da Silva
Biennials
The expansion of the lexicon and the consolidation of divergent grammars
The great choir of black, indigenous and LGBTQIAPN+ voicesBy Fabio Cypriano
Biennials
With 121 artists and participants, the majority of whom are non-white, Choreographies of the Impossible addresses the ruins of modernity to affirmative action by collectives
Marta Minujín live and in full colorBy Leonor Amarante
Exhibitions
Pinacoteca Luz houses the largest panoramic view ever made of the Argentine artist, with emblematic works specially recreated for the show
Criticism and eroticism temper the exhibition 'Moqueca de husbands'By Leonor Amarante
Exhibitions
Denilson Baniwa's art translates the indigenous universe with activism, trials and research
Stratagems to resist fascismBy Jotabê Medeiros
Exhibitions
Collective with 134 artists at Ocupação 9 de Julho brings to the center of the debate the role of art as a lever for social and political affirmation
'Reversos e Transversos' seeks to dissolve the dichotomy between popular and erudite artBy Eduardo Simões
Exhibitions
Curated by Ayrson Heráclito, the exhibition at Galeria Estação establishes parallels between popular artists segregated by the art system and renowned names, with whom they have close ties, in different biennials, over seven decades
Vilma Eid, one of the great patrons of Brazilian popular artBy Eduardo Simões
Interview
This year, the dealer completes four decades of activities in the art market and, in 2024, celebrates 20 years of its Galeria Estação
Jacques Leenhardt analyzes the work of Wifredo LamBy Leonor Amarante
International
The French philosopher and critic is president of the Association of Friends of Wifredo Lam in Paris, a scholar of the Cuban artist's production
Delicate balanceBy Eduardo Simões
Exhibitions
In “Ajuntamentos”, on display at Fundação Iberê Camargo, Afonso Tostes once again focuses on the concepts of essence and simplicity, in works that evoke the tenuous stability of his structures
Forrobodó, or 20 years of A Gentil CariocaBy Leonor Amarante
Exhibitions
In a carnival atmosphere, the gallery, located in the center of Rio, had artists, guests and people dancing
Traumas of the slavery regime are addressed in a Hollywood scenarioBy Fabio Cypriano
Exhibitions
Exhibition with 12 black artists, 'An ocean to wash your hands' opens Centro Cultural Sesc Quitandinha, in Petrópolis
Lage's collection gains visibility for peripheral productionBy Fabio Cypriano
Exhibitions
Museum-house-school of the Railway Suburb of Salvador, present in five important exhibitions in the last two years, even projects works that were discarded by their authors
“The debate tries to make noise, provoke dissonance and distinction”By Eduardo Simões
Interview
For French historian Anne Lafont, discussions around the representation of black bodies and decolonial movements must inevitably “disrupt the established order”
