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ARTE!Brasileiros
AGENDA
ACQUISITION
OPINION
Courses
SEMINARS
MAGAZINE EDITIONS
arte✱plus – MY ACCOUNT
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RETROSPECTIVE 2021
great interviews
Reopening of museums
great reports
Featured exhibitions
Biennials
Books
Tributes
Opinion
Bar Talk(r)
great interviews
Aracy Amaral: a researcher driven by curiosity and rigor
For Gerardo Mosquera, it is necessary to free oneself from a reductionist Latin American identity
Danilo Miranda: moving forward without restrictions
Benjamin Seroussi: first the gestures, then the words
Paralysis of the Secretary of Culture must have tragic results for the country's cultural sector, says Cris Olivieri
Vivian Ostrovsky's Experimental Diving
Reopenings of museums and institutions
Pola Ribeiro assumes the direction of MAM-BA and says that it is necessary to “recover the soul” of the museum
Museu Paulista: a privileged place to rethink history
Casa do Pontal Museum gains a secure headquarters
Revamped, Language Museum is reborn in downtown São Paulo
Inhotim and art as a “vaccine for the soul”
Brennand Workshop: “But clay and water continue to turn in the potters’ huts”
great reports
Will robots be the artists of the future?
The [non] market of inclusion: ableism in the world of the arts
What happens when we unmake the world?
PIPA Prize 2021: from ancestry to new technologies
Videobrasil: four decades with a south-facing lens
Art market in 2021: far from the crisis
Featured exhibitions
Maxwell Alexandre: 'Pardo is Paper' or the epic grandeur of a people in formation
Alfredo Jaar: on the politics of images
The words of Carolina de Jesus
Beyond the Week of 22
Paris: restoration and culture of memory
The intertwined times of Rosângela Rennó
Biennials
Bienal de Arte Paiz, in Guatemala, focuses on cultural diversity and crises in Latin America
“The river is a snake”, final exhibition of Frestas – Arts Triennale at Sesc Sorocaba
Documenta de Kassel looks at collective experiences in art
34th Bienal de São Paulo opens its main exhibition with a political accent and a strong indigenous presence
Environment, migrations and identities set the tone at BIENALSUR
Bienal de São Paulo: 70 years of successes and mistakes
Books
12 art books to read in 2022
Hal Foster: Everything is Fight
The virus images of Giselle Beiguelman
“Black Encyclopedia”: a book of many hands, minds and lives
The Law of the Arts: OAB SP launches a book that brings a legal view of culture
“Present”: a publication that arises from zeal and dialogue
Tributes
Carlito Carvalhosa: the transitory character of things
Guy Brett: an extraordinary “ordinary” life
German Lorca's restless and tireless gaze
Remember: João Figueiredo Ferraz defends rapprochement between museums and collectors
Paulo Mendes da Rocha: Brazil's last great modern architect
Jaider Esbell's War
Opinion
Matarazzo City, contemporary art and neoliberalism
Artist collectives reflect the spirit of the times
The image that intended to change the perception of the world
Critique Frestas: political poetics
“Bienal of Hope” romanticizes catastrophes
The boycott of Grada Kilomba in the official Portuguese representation of the Venice Biennale 2022
Bar Conversation Column(r)
“Monument to the Flags”, by Brecheret: the present past
Tarsila's self-portraits, part III: the various resignifications of a photographic matrix image
Victor Brecheret's sculpture: between tradition and contemporaneity
Segall and Picasso; allegory and decisive moment; painting and photography
A centenary passing in white clouds
Monteiro Lobato art critic. Again [or yet]
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