Among the multiple voices trying to account for the contemporary world, some can be found at the 60th Venice Biennale. Anti-racist social movements, works by LGBTQIA+ artists and ancestral knowledge transform cries of warning into works of art. At a time of financial crisis in Europe, the United States and several other countries, there are few large-scale works with good ideas. With attacks and defenses, the set is different from anything critics have proposed in previous years for the most iconic biennial of its kind.
Already a subscriber? Log in
Dear reader, you are now accessing content that belongs to our magazine✱digital and arte✱play
10 x R$9,90 per year
subscribe now
Collaborate with the development of exclusive content!
Subscribe now and have access to all the content on the Platform, the four annual editions of the digital magazine✱, our mini-docs and much more!
Sign up for our newsletter





