The artist, who created a very personal language mixing traces of constructive art with a symbolic universe linked to Candomblé, Umbanda and Afro-Brazilian culture, sought, in his own words, “a universal language, but with a Brazilian character”, without to join any of the foreign or national artistic movements or currents. Read here article that was the cover of issue 45 of ARTE!Brasileiros.
According to Fernando Oliva, curator of the exhibition at MASP, the donation fulfills an old dream of the artist: to gather most of his documents and personal archives in the same place, available for access by researchers from Brazil and the world. “The material can shed new light on the artist's work and its relationship with Afro-Brazilian and African art,” says the curator in a note released by the museum.





