Home Art ArtBiennials Venice Biennale submerges in neoliberal strategies Curator of the 60th edition of the Italian exhibition, Brazilian Adriano Pedrosa uses personal marketing, support for the secondary market and the emptying of political meanings By Fabio Cypriano - June 28th, 2024 1714 FacebookEmail Anita Malfatti, Woman with Green Hair, 1915-16 and Eliseu Visconti, Self-portrait, 1902. Photos: Patricia Rousseaux Responsive Popup Already a subscriber? Log in Dear reader, you are accessing exclusive content from our digital magazine and arteplay. Choose your plan: Digital signature — 10 x R$ 9,90 per year: access to all digital content on the platform. Printed + digital signature — 10 x R$ 32,00 per year: access to all digital content and receipt of 4 printed editions per year, with free shipping. Digital signature Printed + digital signature Collaborate with the development of exclusive content! Sign up for our newsletter Read alsoMore from author From AI-5 to January 8th: art never remained silent in the face of authoritarianism. Between nature and memory, the Brasilina exhibition occupies the SESI Cultural Center, in Vitória (ES). Bonaventure Leave a comment Cancel reply Please write a comment Please write your name Wrong email address Please write your email Save my name, email, and website in this browser for the next time I comment.