Home Art ArtBiennials Migrant Art Gallery Foreword - Boycott of the Triumphal Entry: Painting as a Transmitter of Coloniality By Redaction - October 18th, 2024 347 FacebookEmail Author and curator Agustin Pérez Rubio in Room V - Dying Life Altarpiece, Spanish Pavilion in Venice, 2024 By Agustin Perez-Rubio Responsive Popup Already a subscriber? Log in Dear reader, you are now accessing content that belongs to our magazine✱digital and arte✱play 10 x R$9,90 per year subscribe now Collaborate with the development of exclusive content! Subscribe now and have access to all the content on the Platform, the four annual editions of the digital magazine✱, our mini-docs and much more! Sign up for our newsletter Read alsoMore from author The day June refuses to end. When art takes over the landscape. At the Prada Foundation, Arthur Jafa and Richard Prince in "Helter Skelter" Leave a comment Cancel reply Please write a comment Please write your name Wrong email address Please write your email Save my name, email, and website in this browser for the next time I comment.