Agenda: check out the highlights from week 18 to 24/8
Radical Women at the Pinacoteca, Milton Dacosta at the Almeida e Dale Gallery, opening of the Bienal Naifs do Brasil and Bob Wolfenson at the Porto Seguro Cultural Space are unmissable programs
Radical women: Latin American art, 1960-1985, collective exhibition at the Pinacoteca de São Paulo, opening on 18/8
The exhibition is curated by the Venezuelan historian Cecilia Fajardo-Hill and the Argentinean researcher Andrea Giunta and is the first in history to bring to the public a significant mapping of experimental artistic practices carried out by Latin artists and their influence on international production. Fifteen countries will be represented by 120 artists, bringing together more than 280 works in photography, video, painting and other media. The presentation in São Paulo has the collaboration of Valéria Piccoli, chief curator of the Pinacoteca.
Paulo Ito, 'Fake News', 2017
Stories (un)told, press conference at Sesc Santana, opening on 23/8
The works question the veracity of discourses considered to be impartial in times when the place of speech, fake news and post-truth are discussed. The exhibition consists of four modules: north of the river, installation by Jaime Lauriano; Art Book, with original works from the homonymous publication by Bruno Moreschi; Occupations - Culture and Struggle, with photographs by Miguel Salvatore, Ana Luisa Seco, Marcio Ramos and Mildo Ferreira; and Fake news, with graffiti by Enivo, Paulo Ito and Quinho.
Bob Wolfenson, 'Rita Lee', 1976
Bob Wolfenson: Portraits, solo show at Espaço Cultural Porto Seguro, opening on 23/8
One of the national references as a portraitist, nude and fashion photographer, Bob Wolfenson moves with the same dexterity between advertising and art. Throughout his nearly 50-year career, he is responsible for some of the most striking portraits of recent Brazilian iconography.
Irving Penn, 'Pablo Picasso in La Californie', 1957
Irving Penn: centenary, solo show at Instituto Moreira Salles, opening on 21/8
The retrospective in honor of the 100th anniversary of the birth of the American photographer Irving Penn will present, in galleries 2 and 3 of IMS Paulista, more than 230 photographs conceived over almost 70 years of career, in addition to around 20 periodicals. His couture photographs, early works in New York, South America and Mexico, portraits of indigenous peoples of Cuzco, Peru, and portraits of figures such as Truman Capote, Picasso and Joan Didion will be on display.
Alisson Louback, 'Sumo'
DŌ: on the way to virtue, press conference at Japan House, opening on 21/8
Through the Budo philosophy, a term that refers to the martial arts and has its origin in the ancient tradition of Bushido – or 'the way of the warrior' -, the stories and curiosities of these six sports will be presented, highlighting characteristics common to all, such as discipline and personal and spiritual growth.
Biennials
Alex dos Santos, “Violence Against Women”, 2018
Bienal Naïfs do Brasil – What escapes, biennial at Sesc Piracicaba, until 25/11
Curated by Armando Queiroz, Juliana Okuda Campaneli and Ricardo Resende, the exhibition features embroidery, drawings, sculptures, prints, paintings, videos, among other techniques, produced by 120 selected and invited artists from 21 states in the country, plus the Federal District. Among the 107 selected, 4 artists receive the “Highlight-Acquisition” award and their works become part of the Sesc Collection of Brazilian Art, 5 are awarded in the “Incentive” category, in addition to 4 “Special Mentions”, with the award jury being composed by Armando Queiroz, Fabiana Delboni and Moacir dos Anjos.
Galleries
Milton Dacosta, Cliclis, 1941
Milton Dacosta: the color of silence, solo show at Galeria Almeida e Dale, opening on 18/8
Curated by Denise Mattar, the show brings together 54 works by the artist, made from the 1930s to the end of his life, in the 1980s. Along this path, Dacosta was not limited by any school, assuming different influences. “Without giving importance to praise or criticism, the artist always followed the path that interested him, from impressionist figuration to metaphysics, from cubism to the symmetry of light and from concrete form to the sensuality of the curve”, points out the curator.
Santídio Pereira, Untitled
Santídio Pereira: A look from memory, solo show at Galeria Estação, opening on 23/8
Curated by Luisa Duarte, (…) the artist exhibits 14 unpublished woodcuts, made between 2017 and 2018. As Duarte points out, the set of works gathered mostly presents images of birds from the Piauí caatinga, a region in which the artist lived to 8 years of age. “These are large-scale prints, in which overlays of colors and shapes make us see caburés, garrinchas, lambus, juritis – different species of birds that inhabit their homeland. In the midst of this fauna, other engravings, of a less figurative character, subtly allude to plants from the local landscape”.
Wesley Duke Lee, Jean Harlow, 3 from the series “Jean Harlow – The Zone: Life and Death” (1967)
Wesley Duke Lee: Jean Harlow – The Zone: Life and Death, solo show at Galeria Luisa Strina, opening 21/8
Watch the VIII International Seminar Arte!Brasileiros: Counter-hegemonic narratives
Impressed by a magazine found in Los Angeles with numerous photos of Jean Harlow – Hollywood myth and sex symbol of the 30s – Wesley learns about the double life of the actress, who frequented the red-light districts of San Diego incognito. This story of eroticism and death sensitizes Duke Lee, above all because of the paradox of the Babylonian whore as opposed to the goddess of love projected by his films.
Claudio Tobinaga, Machine, 2018
Claudio Tobinaga: Collapses, solo show at the Simone Cardinelli gallery, until 3/10
Curated by Cezar Bartholomeu, the exhibition brings together around 30 paintings in small and large formats, inspired by photographs collected from the internet and based on the carioca suburb. In this scenario, the photos become a mise-en-scène, exploring an almost cinematic narrative. The atmosphere of the ordinary takes on the contours of a cheap existentialism, with a surface that seduces and at the same time deceives. The images gain a new meaning open to different interpretations, with a very pop outfit.
Fair
Fabiano Rodrigues, 'Untitled', Jamaica series, 2015/2018. At the Emmathomas gallery stand.
SP-Arte/PHOTO/2018, photography fair at Shopping JK Iguatemi, from August 22nd to 26th
In addition to bringing together important galleries and photographers from Brazil and the world, the Fair provides the public with an immersion in the universe of photography. With the aim of strengthening the bonds between the works exhibited and the visitors, as well as facilitating the journey through the space, the SP-Art/Foto/2018 will feature a program that includes guided tours, book launches and a series of lectures, the Talks.
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Sesc Ribeirão PretoTibiriça Street, 50, Center, Ribeirão Preto - SP
On display at Sesc Ribeirão Preto, the 31st Youth Arts Exhibition – MAJ presents works by 46 new talents in the visual arts of Brazil, selected from more than 700
Details
On display at Sesc Ribeirão Preto, 31st Youth Arts Exhibition – MAJ presents works by 46 new talents in the visual arts of Brazil, selected from more than 700 entries by curators Camila Fontenele and Tiago Gualberto, on the occasion of the celebration of the 35th anniversary of the exhibition conceived by Janete Polo Melo, former sociocultural technician at the Unit who, in 1989, launched the first edition of MAJ in partnership with the Center for Communication and Arts at the University of Ribeirão Preto (UNAERP).
Showcase and agent of visibility and incentive for the production of artists aged between 15 and 30, over more than three decades, BIGGER has allowed young talents from all regions of the country to express their creativity through diverse artistic expressions, such as paintings, engravings, sculptures, interventions and performances, stirring up the artistic scene in the interior of São Paulo and broadening the discussion of socioeconomic and cultural diversity. As in previous editions, at the opening of the 31st edition, the curators will also announce the three artists who have been awarded the Incentive Prize.
Driven by the purpose of facilitating access to the world of arts and disseminating and projecting new artists to Brazil and the international scene, the collective exhibition at Sesc Ribeirão Preto contributed to the revelation of important names in the visual arts, such as Jaime Lauriano, Marcelo Moschetta, Cordeiro de Sá, Beta Ricci, Felipe Góes, Fabricio Sicardi, Renata Lucas, Nilton Campos, Sofia Borges and Renato Rebouças, as well as artists nominated for the PIPA Prize, such as Carla Chaim (2016), Talles Lopes (2022 and 2024) and Vulcanica Pokaropa (2024), among others.
With over 600 talents presented to the public over the course of 35 years, the 31st edition of MAJ features a panel of ethnic diversity that includes white, mixed-race, black, Asian and indigenous people. In this edition, the artists selected by the curators come from nine states in Brazil – São Paulo, Santa Catarina, Rio Grande do Sul, Rio de Janeiro, Paraná, Pernambuco, Pará, Minas Gerais and Amazonas – and the Federal District.
Check out the complete list of artists present at the 31st MAJ below:
Abner Sigemi – Amauri – Anna Livia Taborda – Barbara Savannah – Bruno Benedicto – Cho – Cicero Costa – Diego Rocha – Diez – Donatinnho – Estela Camillo – Felipe Rezende – Giovanna Camargo – Gu da Cei – Gustavo Ferreira – Hanatsuki – Isabela Picheth – Isabella Motta – Isabelle Baiocco – Italo Carajás – Janaina Vieira – Juniara Albuquerque – Kaori – Kelly Pires – Kuenan Tikuna – Leid Ane – Lorre Motta – Lucas BRACO – Lucas Gusmão – Lucas Soares – Luiza Poeiras – Mar Yamanoi – Mariana Simões – MAVINUS – Murillo Marques – Nat Rocha – Nike Krepischi – O Tal do Ale – Okarib – Pedro Mishima – Rayane Gomes – Samuel Cunha – Sophia Zorzi – Vitor Alves – Yan Nicholas – Yanaki Herrera
Curatorial process
In the exhibition's curatorial text, prepared based on reflections recorded in a long dialogue between Camila Fontenele and Tiago Gualberto, one concern guided the process developed by them from September 2023 onwards: the complexity of selecting a selection from a significant number of artists aspiring to exhibit their work at the 31st MAJ.
“When observing the 722 entries – which went through three selection phases, initially 114, then 72, until we reached the 46 selected people – I notice the fluid and coherent way in which these works mutually strengthen each other, while also generating tensions and contrasts”, says Camila.
“As important as recognizing the merit of the outstanding research by this group of 722 artists to whom we dedicate ourselves is understanding the formative and educational role built over the dozens of editions of the MAJ. In other words, the gesture of awarding a representative group of this young art should not be separated from the gesture of listening and offering conditions for improvement to the other artists not selected. In curatorial terms, the hundreds of non-selected research projects served as a great chorus of voices to guide us in identifying topics, agendas, social, political and aesthetic demands,” concludes Gualberto.
Opening to the public at 19:30 p.m. on December 5th, at Sesc Ribeirão Preto, the 31st Youth Arts Exhibition – MAJ can then be visited during the unit's normal opening hours: Tuesday to Friday, from 13:30 p.m. to 21:31 p.m.; Saturdays, Sundays and holidays, from 9:30 a.m. to 18 p.m. With free admission, the exhibition will be on display until June 8th, 2025.
Service
Exhibition | 31st Youth Arts Exhibition – MAJ
From December 6th to June 8th
Tuesday to Friday, 13pm to 21:30pm. Saturdays, Sundays and holidays, 9:30am to 18pm
Period
December 6, 202413:00 - June 8th, 202521:30(GMT-03:00)
Sesc Vila Mariana hosts the unprecedented exhibition Jardim do MAM at Sesc, a co-production of the Museum of Modern Art of São Paulo and Sesc São
Details
O Sesc Vila Mariana receives the unprecedented exhibition MAM Garden at Sesc, a co-production of the Museum of Modern Art of São Paulo and Sesc São Paulo. The exhibition is curated by Cauê Alves and Gabriela Gotoda and re-enacts elements of the MAM Sculpture Garden at the entrance to Sesc Vila Mariana. In it, the public will be able to appreciate works from the MAM collection, including iconic sculptures by Alfredo Ceschiatti, Amilcar de Castro and Emanoel Araújo, and works that explore social criticism, such as works by Regina Silveira, Luiz 83 and Marepe.
For MAM president Elizabeth Machado, the partnership with Sesc reinforces the museum’s commitment to expanding access to art: “The MAM collection is a living heritage, and this exhibition at Sesc Vila Mariana allows an even wider audience to come into contact with fundamental works of our history, promoting encounter and reflection on Brazilian art. Sesc is a long-standing partner of MAM, and this collaboration reaffirms our joint mission to expand access to culture.”
The artists participating in the exhibition are Alfredo Ceschiatti, Amílcar de Castro, Bruno Giorgi, Eliane Prolik, Emanoel Araujo, Felicia Leirner, Haroldo Barroso, Hisao Ohara, Ivens Machado, Luiz83, Marepe, Mari Yoshimoto, Márcia Pastore, Mario Agostinelli, Nicolas Vlavianos, Regina Silveira, Roberto Moriconi, Rubens Mano and Ottone Zorlino.
The selection of works includes pieces that have already been part of the MAM Garden, as well as works from the museum's collection that discuss themes such as nature, the city and materiality. The installation at Sesc Vila Mariana recreates the dynamics of the Sculpture Garden, using scenographic elements that evoke the winding topography of Ibirapuera Park designed by the office of the iconic landscape architect Burle Marx, stimulating new interactions between body, space and art.
Opened in 1993, the MAM Sculpture Garden is an initiative that revived the museum’s collection in its own free space with a large circulation of people. “By proposing a kind of reenactment of the MAM Garden in the External Square of Sesc Vila Mariana, we sought to develop the idea that, just like the garden space in Ibirapuera Park, the Sesc space functions as a center for urban encounters,” says Cauê Alves. “The exhibition includes works from the MAM collection that relate, in different ways, to nature, the body, the city, materiality, and to languages that express some of the inescapable tensions in society,” adds the curator.
The proposal for the MAM Garden exhibition at Sesc Vila Mariana is to stimulate this relationship between bodies, works and space, transforming the unit's External Square into a territory for circulation, experimentation and discovery. Without intending to emulate the park's landscaping, the project's scenography recreates the curves and volumes that mark the original garden, proposing a spatial rhythm between the sculptures. For Gabriela Gotoda, curator of the exhibition alongside Cauê Alves: “If the most original and authentic principle of modern art is that it is close to life, a museum that is dedicated to collecting it and updating it in its present time must continually strive to offer its audiences possibilities of enjoyment that do not distance them from their realities, but rather meet them.”
Educational MAM
During the exhibition period, the public will be able to participate free of charge in educational activities promoted by MAM Educativo, which develops programs and projects in dialogue with its audiences, through accessible and free programming that seeks to equalize opportunities and reduce physical, sensory, intellectual, social or mental health barriers.
Inspired by the experiments carried out in the museum's Sculpture Garden in Ibirapuera Park, part of MAM Educativo's May activities will be adapted to the Sesc Vila Mariana space, proposing different forms of interaction between bodies, works and the exhibition environment. Aimed at audiences of all ages and profiles, the activities will seek to stimulate new ways of looking at, inhabiting and reflecting on urban space through art.
The activities will be divided into programs. “Contacts with art” promotes the cultural education of teachers, educators, researchers and university students, encouraging their role as multipliers of different artistic expressions and pedagogical approaches based on diverse creative processes. “MAM Family” promotes the encounter of the museum’s artistic universe with childhood cultures, through storytelling, games, artistic workshops, guided tours followed by poetry experiences, among other activities. “MAM Sunday” includes activities that invite the public to experience different artistic languages based on thematic axes that encompass dance, music, popular culture, street culture, debates and plastic arts workshops.
There is also the “Visiting Program”, which caters to all types of audiences and encourages access to art and culture through the exercise of critical thinking. The program includes guided tours, poetic experiences and a relationship program with partner schools. Guided tours with MAM Educativo are conversations in which critical reflection is encouraged through art and poetic experiences, which bring the museum’s public closer to artistic experiences and processes. Groups can schedule visits to the MAM Garden exhibition at Sesc by email at educativo@mam.org.br.
The program also includes activities that are part of the National Museum Week – an initiative of the Brazilian Institute of Museums (Ibram) in celebration of International Museum Day (May 18) and which, in 2025, will take place from May 12 to 18 under the theme “The Future of Museums in Rapidly Transforming Communities” – and the World Play Week – an action promoted by the Alliance for Childhood that invites society to value play and the importance of childhood and which, in 2025, will have the theme “Protecting the Enchantment of Childhood” and will take place from May 24 to June 1.
Service Exhibition | MAM Garden at Sesc From the 14th of May to the 31rd of August
Tuesday to Friday, from 7am to 21:30pm, Saturdays, from 10am to 20:30pm, and Sundays and holidays, from 10am to 18pm
Period
14 May 202507:00 - August 31th, 202521:30(GMT-03:00)