Art
Counter-hegemonic practices in hegemonic contexts
Educator Gleyce Heitor advocates initiatives such as acting on the public dimension of cultural institutions, with policies of free access, mobility and belonging, among others
Dialogues between territory and time
Curated by Nicolas Soares, artist and director of the Espírito Santo Art Museum (MAES) and architect and researcher Clara Pignaton, the Vale Museum opens, under the general coordination of Claudia Afonso, the exhibition Transitar o Tempo, as part of its “Extramuros Program”
Theater demolished by the City of São Paulo holds hearing at the Legislative Assembly
Destroyed on February 13th by São Paulo City Hall tractors, the Ventoforte Theater is fighting tirelessly to rebuild itself. Next...
Back at Inhotim for The Boat – Act II, Grada Kilomba delves deeper into...
Grada Kilomba is the happiest artist in the world. At least that's how she felt after the first performance of O Barco...
Nuno Ramos: 'My career is one of enormous stylistic diversity'
Nuno Ramos, the curious, the intrepid, with a latent energy that translates into matter, returns to Belo Horizonte (MG) in March, in an exhibition at...
Practices to make room for other stories
A critical overview of the thinking of Bonaventure Soh Bejeng Ndikung, curator of the 36th São Paulo Biennial, based on his work at the Casa das Culturas do Mundo, a German institution he has directed since 2023
Benítez writes poetry on the Beaubourg extension
Benítez stands out for placing clay at the heart of his architectural design
Kentridge exposes creative process in masterpiece
On MUBI, the South African artist's series Self-Portrait as a Coffee Pot is a 'hymn to artistic freedom'
'Style is the joy of the market, but the death of the artist'
The recent million-dollar auction of Maurizio Cattelan's Comedian at Sotheby's is a starting point for Cildo Meireles to remember and reflect on his career
The surreal as a counterpoint to the neoliberal
Renata Lucas' exhibition at Estação Pinacoteca reviews 20 years of the artist's work and highlights hallmarks of her poetics such as the subversion of spaces and the need for negotiation
Cross pollinations
“The role of the artist is to ask questions,” says Bonaventure Ndikung, in an interview in which he talks about the project for the 36th São Paulo Biennial
Issue #69 contributors
See who are some of the contributors to issue #69 of arte!brasileiros
In Russia, Videobrasil explores intersections between video and performance
Despite the thousands of kilometers separating Brazil and Russia and the cultural traits that are so distinct between the countries, there is no need for any type of...
Clariô and the fight for a theater in the periphery, by the periphery and for the...
“We built ourselves within the periphery, within the peripheral movement. We are a black theater group.” The phrase said by Naloana Lima to arte!brasileiros...
Paraná culture creates events with international impact
The architect Luciana Casagrande Pereira from Paraná represents a generation of women who have achieved prominent positions in the public sphere. Her delicate appearance and...
Mirante Institute pilots cultural and social advances in Ceará
Photographer, born in Cariri (Ceará) into a family with strong political involvement, Tiago Santana, 58, is one of the most renowned authors to...
Glass as essence
The exhibition “The Eye of the Night”, by Jean-Michel Othoniel, curated by Marc Pottier, celebrates the 22nd anniversary of the Oscar Niemeyer Museum and strengthens...
Visual arts go to the front
Until next Wednesday, December 11, the country's visual arts sector will be on red alert. The president of the Federal Senate, Rodrigo...
At the Museu Paranaense, Luana Vitra exhibits the metallic and poetic metaphysics that she extracts from...
In her critical text for the exhibition Aos espíritos minerals, by Luana Vitra, at the Museu Paranaense, singer Anelis Assunção recalls that, "growing up on...
Zerbini at the Oscar Niemeyer Museum: nostalgia for silence
In November 2024, in celebration of the 22nd anniversary of the Oscar Niemeyer Museum (MON), the exhibition “Affinities III – Cochicho” was inaugurated. Curated by...
New MASP: a courageous project, it finds its way on a tightrope between...
By Pedro Mendes da Rocha Thinking about the MASP Annex I heard some criticisms of the project and I want to say that I really liked it. In...
Thomaz Farkas: in love with Brazil and Brazilians
By: Simonetta Persichetti and Rubens Fernandes Junior Getting to know Brazil through the eyes of Thomaz Farkas (1924-2011) is always an enriching experience. A careful look,...
Curitiba will gain an extension to the Museum of Contemporary Art (MAC) in 2025
A new museum space is set to arrive in Curitiba (PR) in 2025, in the wake of an unprecedented urban innovation project: the Fábrica complex...
Learn to rewind
Read the editorial of issue #68 of arte!brasileiros, by Patricia Rousseaux
Migrant Art Gallery
Foreword - Boycott of the Triumphal Entry: Painting as a Transmitter of Coloniality
Memory policies: the genesis of the Museo del Barro
Director of the institution, Lia Colombino spoke about the contexts that led to the founding of the museum; debaters sought analogies with the proposal for the Museum of Origins, by Mario Pedrosa
By Fire and Iron
Panorama of the Museum of Modern Art of SP, held for the first time at MAC USP, addresses practices that diverge from hegemonic standards
Mil Graus focuses on the creative power of the streets
Panorama of the Museum of Modern Art of SP, held for the first time at MAC-USP, addresses practices that diverge from hegemonic standards
Weaving another story
Simultaneous exhibitions investigate African knowledge and practices, comparing past and present and proposing new paths for research and contemporary art
Dandara: between legend and resistance
The construction of a black heroine and art as a counternarrative
Unlearn imperialism and repair
In 'Potential History', artist and academic Ariella Aïsha Azoulay proposes new ways of rethinking the colonialist mode based on concepts such as unlearning and repairing, opposing the notion of progress
Sertão Negro Studio and School of Arts: a project for the future in the center of Brazil
Artistic-cultural space in the capital of Goiás proposes dialogues between visual arts, backlands and the cerrado based on traditional knowledge of Afro-Brazilian and African origins
