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Dear Patricia or… This is what art is
In this article, Tadeu Chiarelli uses a document from the French poet Charles Baudelaire (1821-1867), who frequently wrote his criticisms as letters to the editor.
Petit maître
Art critic and professor Tadeu Chiarelli lists reasons to read the recently released autobiography of sculptor and painter Raphael Galvez
On the President's good looks
Research pointed out that 27% of Bolsonaro voters would vote for him for his personal image; Tadeu Chiarelli writes on the subject
Tatiana Blass: on the threshold of matter and emptiness
Art critic and curator Tadeu Chiarelli writes about Tatiana Blass's new exhibition, "Reviravolta", on display at Galeria Millan
Monteiro Lobato art critic. Again [or yet]
Tadeu Chiarelli discusses Lobato's art criticism from a broader context than the São Paulo scene of 1917, bringing other data to reflect on the writer's performance
Tarsila's self-portraits, part III: the various resignifications of a matrix image...
The critic and columnist of arte!brasileiros Tadeu Chiarelli concludes his series of articles on Tarsila do Amaral’s self-portraits by analyzing these images that would become icons of the artist’s production and, ultimately, of São Paulo’s modernism.
Tarsila's self-portraits, part II: the “Achiropita” image
After analyzing Tarsila do Amaral's first self-portraits, the critic Tadeu Chiarelli publishes a text in which he talks about a second period of the artist's work, in which her portraits abandon the reference to the Spanish "paquitas" and start to dialogue with sumptuous images of the Catholic tradition.
Tarsila's Self-Portraits, Part I: The Spaniard
Bringing new perspectives to the debate on São Paulo's modernism, Tadeu Chiarelli discusses the first self-portraits by Tarsila do Amaral that, until now, have not received due attention.
“Do you think the Portuguese are white?” “Afro-Brazilian” art as construction
“Taking into account the level of its historiographical and critical reach, I understood that I was facing one of the main events in the field of art history in Brazil in recent years”, writes Tadeu Chiarelli about "Afro-Brazilian Art: Altos e Baixos de a concept”, book by Renato Araújo da Silva; read the review and access the work
Artists of African descent in Brazilian art: presence/absence?
In a new text in his column, the critic and curator Tadeu Chiarelli focuses on the virtual absence of black artists in the hegemonic history of art in Brazil, especially from the second half of the XNUMXth century onwards.
