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Venice Biennale submerges in neoliberal strategies

Curator of the 60th edition, Brazilian Adriano Pedrosa, uses personal marketing, support for the secondary market and emptying of political meanings in the 60th edition of the Italian exhibition
Adriano Pedrosa, curator of the 60th Venice Biennale. Photo: Mauricio Jorge

The 60th Venice Biennale and other stories

Adriano Pedrosa, curator of the Italian exhibition, talks about how he emerged into art
Adriano Pedrosa, curator of the 60th Venice Biennale. Photo: Mauricio Jorge

Venice Biennale announces artists participating in its 60th edition

Curator of the 60th Venice Biennale, Adriano Pedrosa revealed this Tuesday (31) his plans for the exhibition, which will begin in April. Common...
Works from the series Sonhíferas, by Solange Pessoa

Venice Biennale: Dream in the midst of war

59th edition of the oldest art biennial, this time by Italian Cecilia Alemani, makes the inclusion of women artists its main asset

Some highlights of the 59th Venice Biennale

Held this year between the 23rd of April and the 27th of November, the 59th Venice Biennale presents itself, from the outset, as a...
"To See the Earth Before the End of the World", Precious Okoyomon. Photo: Roberto Marossi / Courtesy Venice Biennale

59th Venice Biennale presents main show with few dissonances and noise

The 59th Venice Biennale, which opened to the public on April 23, begins in a historic way. Not only is it the first after the postponement...
View of the Venice canal. Photo: Creative Commons.

Venice Biennale announces artists for 2022 edition

Among the 213 names announced are five Brazilians: Jaider Esbell, Lenora de Barros, Luiz Roque, Rosana Paulino and Solange Pessoa.
Vertical, color photo. Portrait of Grada Kilomba

The boycott of Grada Kilomba in the official Portuguese representation of the Venice Biennale 2022

By Ana Teixeira Pinto* On November 11, 2021, DGARTES (Direção Geral das Artes) announced the result of the competition for the...
Detail of the work Sem “Untitled”, from the series “Torção” (2015), by Sonia Gomes

2015 | 56th Venice Biennale: “Transgression in Venice”

Remember an interview with curator Solange Farkas about the 2015 Italian Biennale, entitled "All the World's Futures", which was directed by the Nigerian Okwui Enwezor
"A Sacred Place", Ernesto Neto. Photo: Disclosure

2017 | 57th Venice Biennale: “Edition of the Italian event loses boldness”

Remember Vivian Mocellin's critique of the 2017 Venice Biennale; for her, the edition brought a politically correct exhibition to the limit, without power and with a "more museological temperature"